Royal Exchange Square is a public square in the City of Glasgow in Scotland. The square is situated at the junction of Queen Street with Ingram Street. It is also easily accessible from Buchanan Street, through two prominent archways on the West side of the square.The square is a landmark that attracts many visitors due to the central building which houses the Glasgow Gallery of Modern Art, (also known as the 'GoMA') and the humorous Duke of Wellington statue.
Along the sides of the square are lots of open air cafés and restaurants. The Square is lit up with a large overhead net of lighting between the Gallery of Modern Art and surrounding buildings. The lighting was originally only activated around the Winter season as part of the city's Christmas decorations, but due to being highly favoured by the citizens of Glasgow it remains, to this day, as a permanent feature.
At the Queen Street entrance there is a statue of Duke of Wellington which usually has a traffic cone placed on his head. This was originally a joke by youngsters, but it is now encouraged by the public to leave the cone intact. The statue has become a representation of simple Glaswegian humour and is favoured by many citizens and tourists who have seen it. However, some tourists have conveyed disappointment upon visiting the statue to discover that the cone has been taken down.
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Famous quotes containing the words royal, exchange and/or square:
“You know, he wanted to shoot the Royal Family, abolish marriage, and put everybody who’d been to public school in a chain gang. Yeah, he was a idealist, your dad was.”
—David Mercer, British screenwriter, and Karel Reisz. Mrs. Dell (Irene Handl)
“Development, it turns out, occurs through this process of progressively more complex exchange between a child and somebody else—especially somebody who’s crazy about that child.”
—Urie Bronfenbrenner (b. 1917)
“The square dance fiddler’s first concern is to carry a tune, but he must carry it loud enough to be heard over the noise of stamping feet, the cries of the “caller,” and the shouts of the dancers. When he fiddles, he “fiddles all over”; feet, hands, knees, head, and eyes are all busy.”
—State of Oklahoma, U.S. public relief program (1935-1943)