Career
Pérez was first noticed in a dance club by Spike Lee in 1988, who hired her for her first major acting role in Do the Right Thing. Pérez started her career in the late 1980s as a dancer on Soul Train and later choreographed music videos by Janet Jackson, Bobby Brown, Diana Ross, LL Cool J and The Boys. She was the choreographer for the dancing group the Fly Girls who were featured on the Fox television comedy program In Living Color.
She made her Broadway debut in Terrence McNally's Frankie and Johnny in the Clair de Lune. Perez had her third major role in the hit comedy White Men Can't Jump co-starring Wesley Snipes and Woody Harrelson.
Pérez was nominated for the Oscar for Best Supporting Actress for her role in Peter Weir's 1993 film Fearless. In 1997, she starred in Perdita Durango, a controversial film in which many scenes of excessive violence, sex and nudity were edited out of the version released in the United States but remained intact in the version released throughout Latin America.
She provides the voices of Click, the camera, on Nick Jr.'s Go, Diego, Go! and Chel, a beautiful native woman in the DreamWorks Animation film The Road to El Dorado. She played corrupt police officer Carol Brazier in the Judd Apatow-produced film Pineapple Express, co-starring Seth Rogen and James Franco. Perez appeared on an episode of Law & Order: Special Victims Unit in October 2009 about pedophiles' rights. Executive producer Neal Baer said the writers had Perez in mind when they wrote the role of a young sexual abuse victim's mother. She suffered a serious injury during the filming of the episode. Most recently, Perez is the subject of a released album by Felt entitled Felt 3: A Tribute To Rosie Perez.
Read more about this topic: Rosie Perez
Famous quotes containing the word career:
“I seemed intent on making it as difficult for myself as possible to pursue my “male” career goal. I not only procrastinated endlessly, submitting my medical school application at the very last minute, but continued to crave a conventional female role even as I moved ahead with my “male” pursuits.”
—Margaret S. Mahler (1897–1985)
“From a hasty glance through the various tests I figure it out that I would be classified in Group B, indicating “Low Average Ability,” reserved usually for those just learning to speak the English Language and preparing for a career of holding a spike while another man hits it.”
—Robert Benchley (1889–1945)
“In time your relatives will come to accept the idea that a career is as important to you as your family. Of course, in time the polar ice cap will melt.”
—Barbara Dale (b. 1940)