Further Reading
- Scully, Michael F. (2008) The Never-Ending Revival: Rounder Records and the Folk Alliance (University of Illinois Press)
- Broughton, Simon, Mark Ellingham and Jon Lusk (2006) The Rough Guide to World Music: Africa and the Middle East v. 1
- Ellingham, Mark, James McConnachie and Simon Broughton (Editor) (2000) The Rough Guide to World Music Vol 2 (Including Latin & North America, Caribbean, India, Asia and Pacific)
- Rosenberg, Neil V. and, W.V. Rosenberg (Editor (1993) Transforming Tradition: Folk Music Revivals Examined
- Bohlman, Philip V. (2002) World Music: A Very Short Introduction
- Fujie, Linda, David Locke and Jeff Titon (2004) Worlds of Music: An Introduction to the Music of the World's Peoples
- Czulinski, Winnie (2006) Drone On!: The High History of Celtic Music
- Racy, A. J. (2004) Making Music in the Arab World: The Culture and Artistry of Tarab
- Bakan, Michael B. (2007) World Music: Traditions and Transformations
- Hal Leonard Publishing Corporation (1997) International Folksongs
- Smith, C. C. (1998) Spanish Ballads
- Lyle, Emily B. (2001) Scottish Ballads
- Wilentz, Sean (2005) The Rose and the Briar: Death, Love and Liberty in the American Ballad
- Sawyers, June Skinner (2001) Celtic Music: A Complete Guide
- Bohlman, Philip V. (1988) The Study of Folk Music in the Modern World
- Rice, Timothy (1994) May It Fill Your Soul: Experiencing Bulgarian Music
- Rosenberg, Neil V. (1993) Bluegrass: A History
- Hart, Mickey and Karen Kostyal (2003) Songcatchers: In Search of the World's Music
- Morrish, John, English Folk Dance and Song Society, Martin Carthy et al. (2007) The Folk Handbook: Working with Songs from the English Tradition
|
Read more about this topic: Roots Revival
Famous quotes containing the word reading:
“When committees gather, each member is necessarily an actor, uncontrollably acting out the part of himself, reading the lines that identify him, asserting his identity.... We are designed, coded, it seems, to place the highest priority on being individuals, and we must do this first, at whatever cost, even if it means disability for the group.”
—Lewis Thomas (b. 1913)
“I think taste is a social concept and not an artistic one. Im willing to show good taste, if I can, in somebody elses living room, but our reading life is too short for a writer to be in any way polite. Since his words enter into anothers brain in silence and intimacy, he should be as honest and explicit as we are with ourselves.”
—John Updike (b. 1932)