History
The glazed lantern was developed during the Middle Ages. Roof lanterns of masonry and glass were used in Renaissance architecture, such as in principal cathedrals. In 16th century France and Italy they began usage in Orangeries, an early form of a conservatory structure with tall windows and a glazed roof section for wintering citrus trees and other plants in non-temperate climates.
Post-Renaissance roof lanterns were made of timber and glass and were often prone to leaking.
“Initially wood-framed in the 18th and 19th centuries, skylights became even more popular in metal construction with the advent of sheet-metal shops during the Victorian era. Virtually every urban row house of the late-19th and early-20th centuries relied upon a metal-framed skylight to illuminate its enclosed stairwell. More elaborate dwellings of the era showed a fondness for the Roof Lantern, in which the humble ceiling-window design of the skylight is elaborated into a miniature glass-paneled conservatory-style roof cupola or tower”
Read more about this topic: Roof Lantern
Famous quotes containing the word history:
“History does nothing; it does not possess immense riches, it does not fight battles. It is men, real, living, who do all this.... It is not “history” which uses men as a means of achieving—as if it were an individual person—its own ends. History is nothing but the activity of men in pursuit of their ends.”
—Karl Marx (1818–1883)
“All things are moral. That soul, which within us is a sentiment, outside of us is a law. We feel its inspiration; out there in history we can see its fatal strength.”
—Ralph Waldo Emerson (1803–1882)
“Postmodernism is, almost by definition, a transitional cusp of social, cultural, economic and ideological history when modernism’s high-minded principles and preoccupations have ceased to function, but before they have been replaced with a totally new system of values. It represents a moment of suspension before the batteries are recharged for the new millennium, an acknowledgment that preceding the future is a strange and hybrid interregnum that might be called the last gasp of the past.”
—Gilbert Adair, British author, critic. Sunday Times: Books (London, April 21, 1991)