Ronald Hayman - Works

Works

  • John Arden (1968)
  • John Osborne (1968)
  • Techniques of Acting (1969)
  • Robert Bolt (1969)
  • Arnold Wesker (1970)
  • Harold Pinter (1970)
  • Samuel Beckett (1970)
  • John Whiting (1970)
  • Tolstoy (1970)
  • John Gielgud (1971)
  • Edward Albee (1971)
  • Arguing with Walt Whitman: An Essay on His Influence on Twentieth-Century American Verse (1971)
  • Arthur Miller (1972)
  • Playback (1973)
  • The Set-up: An Anatomy of the English Theatre Today (1973)
  • Playback II (1973)
  • The First Thrust: the Chichester Festival Theatre (1975)
  • Leavis (1976)
  • Eugène Ionesco (1976)
  • The Novel Today, 1967-1975 (1976)
  • Tom Stoppard (1977)
  • How to Read a Play (1977)
  • Artaud and After (1977)
  • De Sade: A Critical Biography (1978)
  • British Theatre since 1955: A Reassessment (1979)
  • Theatre and Anti-Theatre: New Movements Since Beckett (1979)
  • Nietzsche: A Critical Life (1980)
  • Franz Kafka' (1982)
  • Brecht (1983)
  • Bertolt Brecht: The Plays (1984)
  • Fassbinder: Film Maker (1984)
  • Gunter Grass (1985)
  • Secrets: Boyhood in a Jewish Hotel, 1932-1954 (1985)
  • Writing Against: A Biography Of Sartre (1986)
  • My Cambridge (1986) editor
  • Proust – A Biography (1990)
  • The Death and Life of Sylvia Plath (1992)
  • Tennessee Williams: Everyone Else is an Audience (1993)
  • Thomas Mann (1995)
  • Nietzsche (1997)
  • Hitler and Geli (1998)
  • A Life of Jung (2001)
  • Marquis De Sade: The Genius of Passion (2003)

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    “They commonly celebrate those beaches only which have a hotel on them, not those which have a humane house alone. But I wished to see that seashore where man’s works are wrecks; to put up at the true Atlantic House, where the ocean is land-lord as well as sea-lord, and comes ashore without a wharf for the landing; where the crumbling land is the only invalid, or at best is but dry land, and that is all you can say of it.”
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