Romare Bearden - Works

Works

  • Abstract (painting)
  • The Blues (collage) – 1975, Honolulu Museum of Art
  • The Calabash (collage) - 1970, Library of Congress
  • Carolina Shout (collage) This is eponymous with the musical composition by Bearden family friend, the "dean of jazz pianists" and composer, James P. Johnson. This appears to be more than a coincidence, as the name of Bearden's mother, Bessye (sic), is listed on the letterhead of an organization called, " Friends of James P. Johnson" An audio recording of Carolina Shout, featuring Harry Connick Jr. on piano, is included on the companion CD to the National Gallery of Art Exhibition, Romare Bearden Revealed, by Branford Marsalis. - The Mint Museum of Art
  • Falling Star (painting)
  • Fisherman (painting)
  • "Jammin' at the Savoy" (painting)
  • The Lantern (painting)
  • Last of the Blue Devils
  • Morning of the Rooster
  • Patchwork Quilt (collage) – 1970, Museum of Modern Art
  • Piano Lesson (painting) – Pennsylvania Academy of the Fine Arts
  • Prevalence of Ritual: Tidings (collage)
  • Recollection Pond (tapestry) – 1974–1990, 7 plus 1 artist’s proof/8 made, Mount Holyoke College Art Museum; Port Authority of NY & NJ; York College, City University of New York; The Metropolitan Museum of Art
  • Return of the Prodigal Son – 1967, Albright-Knox Art Gallery
  • Rocket to the Moon (collage)
  • She-Ba
  • Showtime (painting)
  • Summertime (collage) – 1967, Saint Louis Art Museum
  • The Woodshed
  • Wrapping it up at the Lafayette
  • The Dove 1964

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Famous quotes containing the word works:

    “I meet him at every turn. He is more alive than ever he was. He has earned immortality. He is not confined to North Elba nor to Kansas. He is no longer working in secret. He works in public, and in the clearest light that shines on this land.”
    —Henry David Thoreau (1817–1862)

    “To receive applause for works which do not demand all our powers hinders our advance towards a perfecting of our spirit. It usually means that thereafter we stand still.”
    —G.C. (Georg Christoph)

    “I lay my eternal curse on whomsoever shall now or at any time hereafter make schoolbooks of my works and make me hated as Shakespeare is hated. My plays were not designed as instruments of torture. All the schools that lust after them get this answer, and will never get any other.”
    —George Bernard Shaw (1856–1950)