Works
- Abstract (painting)
- The Blues (collage) – 1975, Honolulu Museum of Art
- The Calabash (collage) - 1970, Library of Congress
- Carolina Shout (collage) This is eponymous with the musical composition by Bearden family friend, the "dean of jazz pianists" and composer, James P. Johnson. This appears to be more than a coincidence, as the name of Bearden's mother, Bessye (sic), is listed on the letterhead of an organization called, " Friends of James P. Johnson" An audio recording of Carolina Shout, featuring Harry Connick Jr. on piano, is included on the companion CD to the National Gallery of Art Exhibition, Romare Bearden Revealed, by Branford Marsalis. - The Mint Museum of Art
- Falling Star (painting)
- Fisherman (painting)
- "Jammin' at the Savoy" (painting)
- The Lantern (painting)
- Last of the Blue Devils
- Morning of the Rooster
- Patchwork Quilt (collage) – 1970, Museum of Modern Art
- Piano Lesson (painting) – Pennsylvania Academy of the Fine Arts
- Prevalence of Ritual: Tidings (collage)
- Recollection Pond (tapestry) – 1974–1990, 7 plus 1 artist’s proof/8 made, Mount Holyoke College Art Museum; Port Authority of NY & NJ; York College, City University of New York; The Metropolitan Museum of Art
- Return of the Prodigal Son – 1967, Albright-Knox Art Gallery
- Rocket to the Moon (collage)
- She-Ba
- Showtime (painting)
- Summertime (collage) – 1967, Saint Louis Art Museum
- The Woodshed
- Wrapping it up at the Lafayette
- The Dove 1964
Read more about this topic: Romare Bearden
Famous quotes containing the word works:
“They that go down to the sea in ships, that do business in great waters, these see the works of the Lord and his wonders in the deep.”
—Bible: Hebrew Psalms, 107:23-4.
“Most young black females learn to be suspicious and critical of feminist thinking long before they have any clear understanding of its theory and politics.... Without rigorously engaging feminist thought, they insist that racial separatism works best. This attitude is dangerous. It not only erases the reality of common female experience as a basis for academic study; it also constructs a framework in which differences cannot be examined comparatively.”
—bell hooks (b. c. 1955)
“The difference between de jure and de facto segregation is the difference open, forthright bigotry and the shamefaced kind that works through unwritten agreements between real estate dealers, school officials, and local politicians.”
—Shirley Chisholm (b. 1924)