Rollout Photography - History

History

In 1972, Justin Kerr worked with author & anthropologist Michael D. Coe to produce a book on ceramic vessels of the pre-Columbian Maya civilization. For this book Kerr had to photograph the ceramics section by section, and then have an artist combine the pictures into one. Since this was slow and did not accurately reproduce the images on the pottery, Kerr set out to find a technique that would make a single, fluid picture. However, at this time no cameras existed that were capable of making peripheral photographs. Therefore, from 1972–1978, Kerr created a new camera and essentially reinvented the art of rollout photography.

The technique had existed for years, so by using the methods listed above Justin Kerr succeeded in making a camera that captured the first Maya pottery vessel using rollout photography. The rollout technique was perfected through the use of a record turntable, clamps, and various pieces of wood and belts. The end result was a clear and accurate reproduction of a tin can. From there Kerr moved on to Maya vessels. Each vase takes about two minutes to photograph, and is done all in one session. Kerr spends on average 6 hours a day in his studio working on Maya rollouts. Subsequently, Kerr began archiving every container he photographed. To date more than 1400 rollouts have been created. His first successful print was of an Olmec bowl, lent to him from Princeton University.

Read more about this topic:  Rollout Photography

Famous quotes containing the word history:

    All history becomes subjective; in other words there is properly no history, only biography.
    Ralph Waldo Emerson (1803–1882)

    They are a sort of post-house,where the Fates
    Change horses, making history change its tune,
    Then spur away o’er empires and o’er states,
    Leaving at last not much besides chronology,
    Excepting the post-obits of theology.
    George Gordon Noel Byron (1788–1824)

    No one can understand Paris and its history who does not understand that its fierceness is the balance and justification of its frivolity. It is called a city of pleasure; but it may also very specially be called a city of pain. The crown of roses is also a crown of thorns. Its people are too prone to hurt others, but quite ready also to hurt themselves. They are martyrs for religion, they are martyrs for irreligion; they are even martyrs for immorality.
    Gilbert Keith Chesterton (1874–1936)