Style
Roll the Bones marks further transition from the band's 1980s style to their sound in the 1990s. The roles of the instruments have generally been reversed; guitar is beginning to creep to the front of the song arrangements, while bursts of keyboard and organ are played in the background. "Dreamline" and "Roll the Bones" were popular radio staples of the early 90s, with the former reaching #1 on the Album Rock Tracks chart, while "Where's My Thing?" became the band’s third instrumental and was their second song to be nominated for a Grammy, in 1991, losing to Eric Johnson's "Cliffs of Dover". Coincidentally, Eric Johnson went on to provide support for the Roll the Bones tour in fall of 1991. The musical style of Roll the Bones paved the way for the "alternative" style of 1993’s Counterparts.
In the Roll the Bones tourbook of 1991-1992, drummer and lyricist, Neil Peart, described both the mindset of the lyrics written for not only the title track, but also the album.
| “ | “No matter what kind of song you choose to play, you’re betting your life on it, for good or ill, and what you believe is what you are….No one can ever be sure, in this best of all possible random universes.
That’s why the essence of these songs is: if there’s a chance, you might as well take it. So what if some parts of life are a crap shoot? Get out there and shoot the crap. A random universe doesn’t have to be futile; we can change the odds, load the dice, and roll again….For anyone who hasn’t seen Groucho Marx’s game show “You Bet Your Life,” I mean that no one but Groucho knows the secret word, and one guess is as good as another….Anything can happen. That is called fate.” |
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Famous quotes containing the word style:
“Sometimes among our more sophisticated, self-styled intellectuals—and I say self-styled advisedly; the real intellectual I am not sure would ever feel this way—some of them are more concerned with appearance than they are with achievement. They are more concerned with style then they are with mortar, brick and concrete. They are more concerned with trivia and the superficial than they are with the things that have really built America.”
—Lyndon Baines Johnson (1908–1973)
“Hemingway was a prisoner of his style. No one can talk like the characters in Hemingway except the characters in Hemingway. His style in the wildest sense finally killed him.”
—William Burroughs (b. 1914)
“The habit some writers indulge in of perpetual quotation is one it behoves lovers of good literature to protest against, for it is an insidious habit which in the end must cloud the stream of thought, or at least check spontaneity. If it be true that le style c’est l’homme, what is likely to happen if l’homme is for ever eking out his own personality with that of some other individual?”
—Dame Ethel Smyth (1858–1944)