Rod Parsley - Criticism of Parsley

Criticism of Parsley

Parsley is identified as a prominent player in the so-called dominionist movement by both TheocracyWatch and commentator Bill Moyers.

Some have also criticized Parsley for his recent book, Silent No More, because of the book's explanation of Islam and the view that the U.S. Constitution provides for a separation of church and state (among other social issues), and for his support of faith healing. Parsley supports that claim that Islam is an enemy of the United States and Christianity.

In January 2006, a group of 31 Columbus, Ohio, area pastors charged that Parsley and another central Ohio religious leader had violated federal tax laws. The complaining clergy alleged that Parsley violated the tax-exempt status of his church by supporting various political causes.

Parsley has since publicly stated that the Internal Revenue Service notified him in September 2006 that Reformation Ohio, an evangelistic organization named in the complaint, was in no jeopardy of losing its 501 c-3 status, and in 2008 also notified World Harvest Church that nothing improper was discovered.

Author Chris Hedges' 2006 book American Fascists: The Christian Right and the War on America quoted Parsley as using militaristic metaphors in a sermon concerning his critics:

The secular media never likes it when I say this, so let me say it twice. Man your battle stations! Ready your weapons! They say this rhetoric is so inciting. I came to incite a riot. ... Man your battle stations. Ready your weapons. Lock and load — for the thirty, forty liberal pastors who filed against our ministry with the Internal Revenue Service. ... Let the struggle begin. Let it begin in your heart today with a shout unto him who has called us to war — not only that, he has empowered you and I to win.

Read more about this topic:  Rod Parsley

Famous quotes containing the words criticism of, criticism and/or parsley:

    Cubism had been an analysis of the object and an attempt to put it before us in its totality; both as analysis and as synthesis, it was a criticism of appearance. Surrealism transmuted the object, and suddenly a canvas became an apparition: a new figuration, a real transfiguration.
    Octavio Paz (b. 1914)

    A bad short story or novel or poem leaves one comparatively calm because it does not exist, unless it gets a fake prestige through being mistaken for good work. It is essentially negative, it is something that has not come through. But over bad criticism one has a sense of real calamity.
    Rebecca West (1892–1983)

    It has lately been drawn to your correspondent’s attention that, at social gatherings, she is not the human magnet she would be. Indeed, it turns out that as a source of entertainment, conviviality, and good fun, she ranks somewhere between a sprig of parsley and a single ice- skate. It would appear, from the actions of the assembled guests, that she is about as hot company as a night nurse.
    Dorothy Parker (1893–1967)