Criticism
Despite his popular appeal, McKuen's work has never been taken seriously by critics and academics or by much of the public. Michael Baers observed in Gale Research's St. James Encyclopedia of Popular Culture that "through the years his books have drawn uniformly unkind reviews. In fact, criticism of his poetry is uniformly vituperative..."
Frank W. Hoffmann, in Arts and Entertainment Fads, described McKuen's poetry as "tailor-made for the 1960s poetry with a verse that drawled in country cadences from one shapeless line to the next, carrying the rusticated innocence of a Carl Sandburg thickened by the treacle of a man who preferred to prettify the world before he described it."
Philosopher and social critic Robert C. Solomon described McKuen's poetry as "sweet kitsch", and at the height of his popularity in 1969, Newsweek magazine called him "the King of Kitsch".
Writer and literary critic Nora Ephron said, "...for the most part, McKuen's poems are superficial and platitudinous and frequently silly". Pulitzer Prize-winning US Poet Laureate Karl Shapiro said, "It is irrelevant to speak of McKuen as a poet."
In a Chicago Tribune interview with McKuen in 2001 as he was "testing the waters" for a comeback tour, Pulitzer Prize-winning culture critic Julia Keller called his work "so schmaltzy and smarmy that it makes the pronouncements of Kathie Lee Gifford sound like Susan Sontag", "silly and mawkish, the kind of gooey schmaltz that wouldn't pass muster in a freshman creative-writing class The masses ate him up with a spoon, while highbrow literary critics roasted him on a spit." She noted that the third concert on his tour had already been canceled because of sluggish ticket sales.
Read more about this topic: Rod McKuen
Famous quotes containing the word criticism:
“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
—George Steiner (b. 1929)
“The aim of all commentary on art now should be to make works of art—and, by analogy, our own experience—more, rather than less, real to us. The function of criticism should be to show how it is what it is, even that it is what it is, rather than to show what it means.”
—Susan Sontag (b. 1933)
“However intense my experience, I am conscious of the presence and criticism of a part of me, which, as it were, is not a part of me, but a spectator, sharing no experience, but taking note of it, and that is no more I than it is you. When the play, it may be the tragedy, of life is over, the spectator goes his way. It was a kind of fiction, a work of the imagination only, so far as he was concerned.”
—Henry David Thoreau (1817–1862)