History
Though Benjamin Franklin is thought to be the inventor of the rocking chair there is no historical evidence of this. Historians can only trace the rocking chair's origins to North America during the early 18th century. They were originally used in gardens and were just ordinary chairs with two rockers at their bottoms. It was in 1725 that early rocking chairs first appeared in England. The production of wicker rocking chairs reached its peak in America during the middle of the 18th century. These wicker rockers, as they were popularly known, were famous for their craftsmanship and creative designs.
Michael Thonet, a German craftsman, created the first bentwood rocking chair in 1860. This design is distinguished by its graceful shape and its light weight. These rocking chairs were influenced by Greek and Roman designs as well as Renaissance and colonial era artistry. During the 1920s, however, folding rocking chairs became more popular in the US and in Europe. They were handy for outdoor activities and travel purposes. By the 1950s, rocking chairs built by Sam Maloof, a US craftsman, became famous for their durability and deluxe appearance. Maloof's rocking chairs are distinguished by their ski-shaped rockers.
Rocking chairs are sometimes associated with maturity and class. They are also often associated with parenting, as the gentle rocking motion can soothe infants.
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Famous quotes containing the word history:
“There are two great unknown forces to-day, electricity and woman, but men can reckon much better on electricity than they can on woman.”
—Josephine K. Henry, U.S. suffragist. As quoted in History of Woman Suffrage, vol. 4, ch. 15, by Susan B. Anthony and Ida Husted Harper (1902)
“The history of modern art is also the history of the progressive loss of art’s audience. Art has increasingly become the concern of the artist and the bafflement of the public.”
—Henry Geldzahler (1935–1994)
“I believe that in the history of art and of thought there has always been at every living moment of culture a “will to renewal.” This is not the prerogative of the last decade only. All history is nothing but a succession of “crises”Mof rupture, repudiation and resistance.... When there is no “crisis,” there is stagnation, petrification and death. All thought, all art is aggressive.”
—Eugène Ionesco (b. 1912)