Radio City Music Hall
Radio City Music Hall at 50th Street and Avenue of the Americas was completed in December, 1932. At the time it was promoted as the largest and most opulent theater in the world. Its original intended name was the "International Music Hall" but this was changed to reflect the name of its neighbor, "Radio City," as the new NBC Studios in the RCA Building were known. RCA was one of the complex's first and most important tenants and the entire Center itself was sometimes referred to as "Radio City."
The Music Hall was planned by a consortium of three architectural firms, who employed Edward Durell Stone to design the exterior. Through the direction of Abby Rockefeller, the interior design was given to Donald Deskey, an exponent of the European Modernist style and innovator of a new American design aesthetic. Deskey believed the space would be best served by sculptures and wall paintings and commissioned various artists for the large elaborate works in the theater. The Music Hall seats 6,000 people and after an initial slow start became the single biggest tourist destination in the city. Its interior was declared a New York City landmark in 1978. Painstakingly restored in 1999, the Music Hall interiors are one of the world's greatest examples of Art Deco design.
In 1979, after decades as a premiere showcase for motion pictures and elaborate stage shows, the theater converted to presenting touring performers and special events. Each holiday season features the annual musical stage show, the Radio City Christmas Spectacular, a tradition for more than 70 years. The enormous stage, with its elevators and turntables, has also offered Frank Sinatra, Ella Fitzgerald, the Grammy and Tony Awards, and countless other events. One of New York's most popular tourist attractions, the Music Hall has been attended by more than 300 million people.
Read more about this topic: Rockefeller Center
Famous quotes containing the words radio, city, music and/or hall:
“A bibulation of sports writers, a yammer of radio announcers, a guilt of umpires, an indigence of writers.”
—Walter Wellesley (Red)
“...some small boys came out of the city and jeered at him, saying, “Go away, baldhead! Go away, baldhead!””
—Bible: Hebrew, 2 Kings 2:23.
Elisha--proving that baldness has been a source of sensitivity for centuries, Elisha cursed them and they died.
“If music in general is an imitation of history, opera in particular is an imitation of human willfulness; it is rooted in the fact that we not only have feelings but insist upon having them at whatever cost to ourselves.... The quality common to all the great operatic roles, e.g., Don Giovanni, Norma, Lucia, Tristan, Isolde, Brünnhilde, is that each of them is a passionate and willful state of being. In real life they would all be bores, even Don Giovanni.”
—W.H. (Wystan Hugh)
“When Western people train the mind, the focus is generally on the left hemisphere of the cortex, which is the portion of the brain that is concerned with words and numbers. We enhance the logical, bounded, linear functions of the mind. In the East, exercises of this sort are for the purpose of getting in tune with the unconscious—to get rid of boundaries, not to create them.”
—Edward T. Hall (b. 1914)