Robert White may refer to:
Fine arts
- Robert White (guitarist) (1936–1994), Motown session guitarist
- Robert White (composer) (c. 1538–1574), English composer
- Robert White (sculptor) (1921–2002), American sculptor
- Robert White (bishop), Primus of the Scottish Episcopal Church, 1747–1761
- Bobby White (born Robert E. White; 28 June 1926, Chicago) (jazz drummer) (see Earle Spencer)
Government & politics
- Robert John White, British politician
- Robert White (politician) (1833–?), Attorney General of West Virginia, 1877–1881
- Robert White (ambassador) (born 1926), former U.S. ambassador
- Robert Howard White (1914–2006), New Zealand politician, mayor of Papatoetoe
- Robert Smeaton White (1856–1944), Canadian journalist and political figure
- Robert W. White (mayor)
Medicine & science
- Robert J. White (1925–2010), American surgeon, pioneering brain/head transplant surgeon
- Robert White (geophysicist), FRS, Earth Sciences, Cambridge Univ
- Robert W. White (psychologist) (1904-2001), American psychologist
Sports
- Robert White (cricketer) (born 1979), cricketer
- Robert W. White (golfer) (1874–?), golf course architect and first president of the Professional Golfer's Association
- Robert White (American football), head college football coach for the Kentucky State University Thoroughbreds
- Rob White (Formula One) (born 1965), English Formula One engineer
Other
- Robert White (engraver) (1645–1703), English draughtsman and portrait engraver
- Robert Michael White (1924–2010), United States Air Force veteran and test pilot
- Robert White, founder of Durell Software
- Robert White, episode writer for several animated shows including He-Man and the Masters of the Universe
- Robert Meadows White (1798–1865), Rawlinson and Bosworth Professor of Anglo-Saxon at the University of Oxford
Famous quotes containing the words robert and/or white:
“In that land all Is and nothings Ought;
No owners or notices, only birds;”
—William Robert Rodgers (19091969)
“The Thirties dreamed white marble and slipstream chrome, immortal crystal and burnished bronze, but the rockets on the Gernsback pulps had fallen on London in the dead of night, screaming. After the war, everyone had a carno wings for itand the promised superhighway to drive it down, so that the sky itself darkened, and the fumes ate the marble and pitted the miracle crystal.”
—William Gibson (b. 1948)
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