Robert Greene (dramatist) - Works

Works

Plays:

  • Friar Bacon and Friar Bungay (circa 1590)
  • The History of Orlando Furioso (circa 1590)
  • A Looking Glass for London and England (with Thomas Lodge) (circa 1590)
  • The Scottish History of James the Fourth (circa 1590)
  • The Comical History of Alphonsus, King of Aragon (circa 1590)
  • Selimus, Emperor of the Turks (1594)

Other works:

  • Mamillia(pt. 1) (circa 1580)
  • Mamillia: The Triumph of Pallas(pt. 2)(1583)
  • The Myrrour of Modestie (1584)
  • The History of Arbasto, King of Denmarke (1584)
  • Gwydonius (1584)
  • Morando, the Tritameron of Love (1584)
  • Planetomachia (1585)
  • Morando, the Tritameron of Love (pt. 2)(1586)
  • Euphues: His Censure to Philautus (1587)
  • Greene's Farewell to Folly (circa 1587)
  • Penelope’s Web (1587)
  • Alcida (1588)
  • Greenes Orpharion (1588)
  • Pandosto (1588)
  • Perimedes (1588)
  • Ciceronis Amor (1589)
  • Menaphon (1589)
  • The Spanish Masquerado (1589)
  • Greene's Mourning Garment (1590)
  • Greene's Never Too Late (pts. 1&2)(1590)
  • Greene's Vision (1590)
  • The Royal Exchange* (1590)
  • A Notable Discovery of Coosnage (1591)
  • The Second Part of Conycatching (1591)
  • The Black Books Messenger (1592)
  • A Disputation Between a Hee Conny-Catcher and a Shee Conny-Catcher (1592)
  • A Groatsworth of Wit Bought with a Million of Repentance (1592)
  • Philomela (1592)
  • A Quip for an Upstart Courtier (1592)
  • The Third and Last Part of Conycatching (1592)

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Famous quotes containing the word works:

    “A creative writer must study carefully the works of his rivals, including the Almighty. He must possess the inborn capacity not only of recombining but of re-creating the given world. In order to do this adequately, avoiding duplication of labor, the artist should know the given world.”
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    “Are you there, Africa with the bulging chest and oblong thigh? Sulking Africa, wrought of iron, in the fire, Africa of the millions of royal slaves, deported Africa, drifting continent, are you there? Slowly you vanish, you withdraw into the past, into the tales of castaways, colonial museums, the works of scholars.”
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    “Night and Day ‘ve been tampered with,
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