Robert Greene (dramatist) - Works

Works

Plays:

  • Friar Bacon and Friar Bungay (circa 1590)
  • The History of Orlando Furioso (circa 1590)
  • A Looking Glass for London and England (with Thomas Lodge) (circa 1590)
  • The Scottish History of James the Fourth (circa 1590)
  • The Comical History of Alphonsus, King of Aragon (circa 1590)
  • Selimus, Emperor of the Turks (1594)

Other works:

  • Mamillia(pt. 1) (circa 1580)
  • Mamillia: The Triumph of Pallas(pt. 2)(1583)
  • The Myrrour of Modestie (1584)
  • The History of Arbasto, King of Denmarke (1584)
  • Gwydonius (1584)
  • Morando, the Tritameron of Love (1584)
  • Planetomachia (1585)
  • Morando, the Tritameron of Love (pt. 2)(1586)
  • Euphues: His Censure to Philautus (1587)
  • Greene's Farewell to Folly (circa 1587)
  • Penelope’s Web (1587)
  • Alcida (1588)
  • Greenes Orpharion (1588)
  • Pandosto (1588)
  • Perimedes (1588)
  • Ciceronis Amor (1589)
  • Menaphon (1589)
  • The Spanish Masquerado (1589)
  • Greene's Mourning Garment (1590)
  • Greene's Never Too Late (pts. 1&2)(1590)
  • Greene's Vision (1590)
  • The Royal Exchange* (1590)
  • A Notable Discovery of Coosnage (1591)
  • The Second Part of Conycatching (1591)
  • The Black Books Messenger (1592)
  • A Disputation Between a Hee Conny-Catcher and a Shee Conny-Catcher (1592)
  • A Groatsworth of Wit Bought with a Million of Repentance (1592)
  • Philomela (1592)
  • A Quip for an Upstart Courtier (1592)
  • The Third and Last Part of Conycatching (1592)

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Famous quotes containing the word works:

    “They commonly celebrate those beaches only which have a hotel on them, not those which have a humane house alone. But I wished to see that seashore where man’s works are wrecks; to put up at the true Atlantic House, where the ocean is land-lord as well as sea-lord, and comes ashore without a wharf for the landing; where the crumbling land is the only invalid, or at best is but dry land, and that is all you can say of it.”
    —Henry David Thoreau (1817–1862)

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    —Cynthia Ozick (b. 1928)

    “To receive applause for works which do not demand all our powers hinders our advance towards a perfecting of our spirit. It usually means that thereafter we stand still.”
    —G.C. (Georg Christoph)