Production
Further information: Road to... (Family Guy)The episode was written by Daniel Palladino, his first official episode for the series, an executive producer for the show. In addition, the episode was directed by series regular Dan Povenmire, in his fourth episode directing for the season; the first three being "One If by Clam, Two If by Sea", "To Love and Die in Dixie", and "Brian Wallows and Peter's Swallows".
"Road to Europe" is the second episode of the "Road to..." hallmarks of the series, which have aired throughout various seasons of the show, and is the second "Road to..." episode to be directed by Povenmire. The episodes are a parody of the seven Road to ... comedy films starring Bing Crosby, Bob Hope and Dorothy Lamour. The episode was inspired by the 1941 film Road to Morocco, including its musical number "(We're off on the) Road to Morocco", which was previously parodied by the two characters, then with alternate lyrics, in the Family Guy episode "Road to Rhode Island". Fans originally believed that the original title of this episode was "Road to Baghdad", but in an interview with IGN MacFarlane stated that it was not the case.
In addition to the regular cast, the episode featured guest appearances by comedian Andy Dick, actor and director Jon Favreau, actor Sean Flynn, actress and singer Lauren Graham, actress Michelle Horn and voice actor Wally Wingert. It also guest starred Kiss members Gene Simmons, Paul Stanley, Ace Frehley, and Peter Criss as themselves.
Read more about this topic: Road To Europe
Famous quotes containing the word production:
“The development of civilization and industry in general has always shown itself so active in the destruction of forests that everything that has been done for their conservation and production is completely insignificant in comparison.”
—Karl Marx (1818–1883)
“The heart of man ever finds a constant succession of passions, so that the destroying and pulling down of one proves generally to be nothing else but the production and the setting up of another.”
—François, Duc De La Rochefoucauld (1613–1680)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)