Clown Style
The particular "Ringling Style" of clowning taught at Clown College was rooted in the American type of clown performance, with an accent towards broad and slapstick type humor, as opposed to the European approach which was typically more subtle. Because of the "three ring" configuration of the Ringling show, and the bigger arenas that were needed to present such an attraction, audiences were larger and many patrons sat in balconies or upper decks, far above the action. In order to reach the people in every area of these larger arenas, clowns on the Ringling show had to design their make up to be seen at a distance, and use their props and clear physical movements to show the audience what was happening during a gag, no matter where in the house they were seated. The training given here was tailor made for the Ringling show, but could be transferred to other circus styles.
Read more about this topic: Ringling Bros. And Barnum & Bailey Clown College
Famous quotes containing the words clown and/or style:
“For public opinion does not admit that lofty rapturous laughter is worthy to stand beside lofty lyrical emotion and that there is all the difference in the world between it and the antics of a clown at a fair.”
—Nikolai Vasilyevich Gogol (1809–1852)
“I shall christen this style the Mandarin, since it is beloved by literary pundits, by those who would make the written word as unlike as possible to the spoken one. It is the style of all those writers whose tendency is to make their language convey more than they mean or more than they feel, it is the style of most artists and all humbugs.”
—Cyril Connolly (1903–1974)