Architects Working in The Style
The style includes work by the generation of architects practicing in the 1880s before the influence of the Beaux-Arts styles. It is epitomised by the American Museum of Natural History's original 77th Street building by J. Cleaveland Cady of Cady, Berg and See in New York City. It was seen in smaller communities in this time period such as in St. Thomas, Ontario's city hall and Menomonie, Wisconsin's Mabel Tainter Memorial Building, 1890.
Some of the practitioners who most faithfully followed Richardson's proportion, massing and detailing had worked in his office. These include Alexander Wadsworth Longfellow and Frank Alden (Longfellow, Alden & Harlow of Boston & Pittsburgh); George Shepley and Charles Coolidge (Richardson's former employees, and his successor firm, Shepley, Rutan & Coolidge of Boston); and Herbert Burdett (Marling & Burdett of Buffalo). Other architects who employed Richardson Romanesque elements in their designs include Spier and Rohns and George D. Mason, both firms from Detroit, Edward J. Lennox, a Toronto based architect who derived many of his designs from the Richardson Style, and John Wellborn Root. In Minneapolis, Minnesota, Harvey Ellis designed in this stye.
The style also influenced the Chicago school of architecture and architects Louis Sullivan and Frank Lloyd Wright. In Finland, Eliel Saarinen was influenced by Richardson.
Read more about this topic: Richardsonian Romanesque
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