Richard Le Gallienne - Works

Works

  • My Ladies' Sonnets and Other Vain and Amatorious Verses (1887)
  • Volumes in Folio (1889) poems
  • George Meredith: Some Characteristics (1890)
  • The Book-Bills of Narcissus (1891)
  • English Poems (1892)
  • The Religion of a Literary Man (1893)
  • Robert Louis Stevenson: An Elegy and Other Poems (1895)
  • Quest of the Golden Girl (1896) novel
  • Prose Fancies (1896)
  • Retrospective Reviews (1896)
  • Rubaiyat of Omar Khayyam (1897)
  • If I Were God (1897)
  • The Romance Of Zion Chapel (1898)
  • In Praise of Bishop Valentine (1898)
  • Young Lives (1899)
  • Sleeping Beauty and Other Prose Fancies (1900)
  • The Worshipper Of The Image (1900)
  • The Love Letters of the King, or The Life Romantic (1901)
  • An Old Country House (1902)
  • Odes from the Divan of Hafiz (1903) translation
  • Old Love Stories Retold (1904)
  • Painted Shadows (1904)
  • Romances of Old France (1905)
  • Little Dinners with the Sphinx and other Prose Fancies (1907)
  • Omar Repentant (1908)
  • Wagner's Tristan and Isolde (1909) Translator
  • Attitudes and Avowals (1910) essays
  • October Vagabonds (1910)
  • New Poems (1910)
  • The Maker of Rainbows and Other Fairy-Tales and Fables (1912)
  • The Lonely Dancer and Other Poems (1913)
  • Vanishing Roads and Other Essays (1915)
  • The Silk-Hat Soldier and Other Poems in War Time (1915)
  • The Chain Invisible (1916)
  • Pieces of Eight (1918)
  • The Junk-Man and Other Poems (1920)
  • A Jongleur Strayed (1922) poems
  • Woodstock: An Essay (1923)
  • The Romantic '90s (1925) memoirs
  • The Romance of Perfume (1928)
  • There Was a Ship (1930)
  • From a Paris Garret (1936) memoirs
  • The Diary of Samuel Pepys (editor)

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    Was it an intellectual consequence of this ‘rebirth,’ of this new dignity and rigor, that, at about the same time, his sense of beauty was observed to undergo an almost excessive resurgence, that his style took on the noble purity, simplicity and symmetry that were to set upon all his subsequent works that so evident and evidently intentional stamp of the classical master.
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