Works
In 1853 Caulfield published Sigilla Ecclesiæ Hibernicæ Illustrata. In 1857 he edited for the Camden Society the Diary of Rowland Davies, D.D., Dean of Cork, 1689–90; and in 1859 he published Rotulus Pipæ Clonensis, the Pipe Roll of Cloyne. In 1860 he discovered at Dunmanway House, Co. Cork, the original manuscript of the autobiographical memoir of Sir Richard Cox, extending from 1702 to 1707; it had been used by Walter Harris in his edition of James Ware's Writers of Ireland, and Caulfield published the fragment.
While at Oxford in 1862 Caulfield discovered in the Bodleian Library the manuscript Life of St. Fin Barre, which he copied and published in 1864. In 1876 appeared his edition of the Council Book of the Corporation of Cork, followed in 1877 by The Register of the Parish of Christ Church, Cork. Next year appeared the Council Book of the Corporation of Youghal, with annals and appendices, and then the Council Book of the Corporation of Kinsale, 1652-1800. He was also author of Annals of St. Fin Barre's Cathedral, Cork, 1871, and Annals of the Cathedral of St. Colman, Cloyne. He contributed to antiquarian periodicals including Notes and Queries.
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Famous quotes containing the word works:
“When life has been well spent, age is a loss of what it can well spare,—muscular strength, organic instincts, gross bulk, and works that belong to these. But the central wisdom, which was old in infancy, is young in fourscore years, and dropping off obstructions, leaves in happy subjects the mind purified and wise.”
—Ralph Waldo Emerson (1803–1882)
“We all agree now—by “we” I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.”
—Clive Bell (1881–1962)