Background
In the early 1950s the airline industry was undergoing explosive growth. A serious limiting factor was the time taken to make a single booking, which could take upwards of 90 minutes in total. TCA found their bookings typically involved between three and seven calls to the centralized booking centre in Toronto, where telephone operators would scan flight status displayed on a huge board showing all scheduled flights one month into the future. Bookings past that time could not be made, nor could an agent reliably know anything other than if the flight was full or not – to book two seats was much more complex, requiring the operator to find the "flight card" for that flight in a filing cabinet.
In 1946 American Airlines decided to tackle this problem through automation, introducing the Reservisor, a simple electromechanical computer based on telephone switching systems. Newer versions of the Reservisor included magnetic drum systems for storing flight information further into the future. The ultimate version of the system, the Magnetronic Reservisor, was installed in 1956 and could store data for 2,000 flights a day up to one month into the future. Reservisors were later sold to a number of airlines, as well as Sheraton for hotel bookings, and Goodyear for inventory control.
Read more about this topic: Reser Vec
Famous quotes containing the word background:
“Pilate with his question What is truth? is gladly trotted out these days as an advocate of Christ, so as to arouse the suspicion that everything known and knowable is an illusion and to erect the cross upon that gruesome background of the impossibility of knowledge.”
—Friedrich Nietzsche (18441900)
“They were more than hostile. In the first place, I was a south Georgian and I was looked upon as a fiscal conservative, and the Atlanta newspapers quite erroneously, because they didnt know anything about me or my background here in Plains, decided that I was also a racial conservative.”
—Jimmy Carter (James Earl Carter, Jr.)
“Silence is the universal refuge, the sequel to all dull discourses and all foolish acts, a balm to our every chagrin, as welcome after satiety as after disappointment; that background which the painter may not daub, be he master or bungler, and which, however awkward a figure we may have made in the foreground, remains ever our inviolable asylum, where no indignity can assail, no personality can disturb us.”
—Henry David Thoreau (18171862)