Women's Doubles Performance Timeline
To prevent confusion and double counting, information in this table is updated only once a tournament or the player's participation in the tournament has concluded.
Tournament | 1989 | 1990 | 1991 | 1992 | 1993 | 1994 | 1995 | 1996 | 1997 | 1998 | 1999 | 2000 | 2001 | 2002 | 2003 | 2004 | 2005 | 2006 | 2007 | 2008 | 2009 | 2010 | 2011 | W–L |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Grand Slam tournaments | ||||||||||||||||||||||||
Australian Open | 1R | 2R | 1R | A | QF | A | 3R | 2R | A | SF | SF | W | 1R | SF | QF | 1R | 2R | QF | 1R | QF | 3R | SF | 1R | 41–19 |
French Open | A | 1R | 1R | 3R | QF | 3R | 3R | 3R | A | 1R | 1R | 3R | SF | F | 1R | 3R | QF | QF | 3R | 3R | 3R | 3R | 3R | 39–21 |
Wimbledon | A | 1R | 2R | QF | QF | 3R | 3R | 3R | A | SF | 3R | SF | W | QF | 1R | W | 1R | SF | QF | 3R | F | QF | 1R | 54–19 |
US Open | A | 2R | 1R | QF | QF | A | F | 2R | 3R | SF | 3R | QF | W | 3R | QF | 3R | QF | QF | SF | 1R | SF | QF | 54–19 | |
Win–Loss | 0–1 | 2–4 | 1–4 | 10–3 | 12–4 | 4–2 | 12–4 | 6–4 | 2–1 | 15–3 | 9–4 | 18–4 | 19–4 | 17–4 | 8–4 | 11–4 | 9–4 | 17–4 | 11–4 | 9–4 | 13–4 | 12–4 | 2–3 | 188–78 |
Read more about this topic: Rennae Stubbs
Famous quotes containing the words women, doubles and/or performance:
“Whether outside work is done by choice or not, whether women seek their identity through work, whether women are searching for pleasure or survival through work, the integration of motherhood and the world of work is a source of ambivalence, struggle, and conflict for the great majority of women.”
—Sara Lawrence Lightfoot (20th century)
“Despots play their part in the works of thinkers. Fettered words are terrible words. The writer doubles and trebles the power of his writing when a ruler imposes silence on the people. Something emerges from that enforced silence, a mysterious fullness which filters through and becomes steely in the thought. Repression in history leads to conciseness in the historian, and the rocklike hardness of much celebrated prose is due to the tempering of the tyrant.”
—Victor Hugo (18021885)
“Kind are her answers,
But her performance keeps no day;
Breaks time, as dancers,
From their own music when they stray.”
—Thomas Campion (15671620)