Contemporary Jewish Religious Music
Religious Jewish Music in the 20th century has varied greatly. Religious Jewish Music in the 20th century has spanned the gamut from Shlomo Carlebach's nigunim to Debbie Friedman's Jewish feminist folk, to the many sounds of Daniel Ben Shalom. Velvel Pasternak has spent much of the late 20th century acting as a preservationist and committing what had been a strongly oral tradition to paper. Periodically Jewish music jumps into mainstream consciousness, with the reggae artist Matisyahu being the most recent example. In the 1970s, Jewish boys choirs became popular such as Pirchei (Volumes 1 -6), Miami Boys' Choir, Toronto Pirchei, and London School of Jewish Song. In addition, vocal groups became a fad with the Rabbis' Sons, Rashi and the Rishonim, Simchatone, and Ohr Chodosh.
Also, many Orthodox Jews often limit their children's exposure to music produced by those other than Orthodox Jews, so that they will not be influenced by what the parents see as harmful non-Orthodox ideas and fashions. A large body of music produced by Orthodox Jews for children is geared toward teaching religious and ethical traditions and laws. The lyrics of these songs are generally written in English with some Hebrew or Yiddish phrases.
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