Appearance
As in the examples below, reference cards are typically one to a few pages in length. Pages are organized into one or more columns. Across the columns the reference is split into sections organized by topic. Each section contains a list of entries, with each entry containing a term and its description and usage information. Terms might include keywords, syntactic constructs, functions, methods, or macros in a computer language. In a reference card for a program with a graphical user interface, terms may include menu entries, icons or key combinations representing program actions.
Due to its logical structure and conciseness, finding information in a reference card is trivial for humans and requires no computer interaction. It is therefore convenient for a user to print out a reference card. While reference cards can be printed on card stock, it is common to print them on ordinary printer paper. With the advent of portable electronic devices that can display documents, digital reference cards stored in PDF or HTML formats have become more common. This in contrast to user guides, which tend to be large & verbose and to have a very low information density (in comparison to reference cards).
Read more about this topic: Reference Card
Famous quotes containing the word appearance:
“Never before has a generation of parents faced such awesome competition with the mass media for their children’s attention. While parents tout the virtues of premarital virginity, drug-free living, nonviolent resolution of social conflict, or character over physical appearance, their values are daily challenged by television soaps, rock music lyrics, tabloid headlines, and movie scenes extolling the importance of physical appearance and conformity.”
—Marianne E. Neifert (20th century)
“Every natural fact is a symbol of some spiritual fact. Every appearance in nature corresponds to some state of the mind, and that state of the mind can only be described by presenting that natural appearance as its picture.”
—Ralph Waldo Emerson (1803–1882)
“The true, prescriptive artist strives after artistic truth; the lawless artist, following blind instinct, after an appearance of naturalness. The one leads to the highest peaks of art, the other to its lowest depths.”
—Johann Wolfgang Von Goethe (1749–1832)