Structure and Method of Sound Production
In the generation of its tones, a reed organ is similar to an accordion or concertina, but not in its installation, as an accordion is held in both hands whereas a reed organ is usually positioned on the floor in a wooden casing (which might make it mistakable for a piano at the very first glimpse).
Reed organs are operated either with pressure or with suction bellows. Pressure bellows permit a wider range to modify the volume, depending on if the pedaling of the bellows is faster or slower. In North America and the United Kingdom, a reed organ with pressure bellows is referred to as a harmonium, whereas in continental Europe, any reed organ is called a harmonium regardless of whether it has pressure or suction bellows. As reed organs with pressure bellows were more difficult to produce and therefore more expensive, North American and British reed organs and melodeons generally use suction bellows and operate on vacuum.
Read more about this topic: Reed Organ
Famous quotes containing the words structure and, structure, method, sound and/or production:
“Science is intimately integrated with the whole social structure and cultural tradition. They mutually support one other—only in certain types of society can science flourish, and conversely without a continuous and healthy development and application of science such a society cannot function properly.”
—Talcott Parsons (1902–1979)
“In the extent and proper structure of the Union, therefore, we behold a republican remedy for the diseases most incident to republican government.”
—James Madison (1751–1836)
“The method of painting is the natural growth out of a need. I want to express my feelings rather than illustrate them. Technique is just a means of arriving at a statement.... I can control the flow of paint: there is no accident, just as there is no beginning and no end.”
—Jackson Pollock (1912–1956)
“If man is reduced to being nothing but a character in history, he has no other choice but to subside into the sound and fury of a completely irrational history or to endow history with the form of human reason.”
—Albert Camus (1913–1960)
“The production of too many useful things results in too many useless people.”
—Karl Marx (1818–1883)