Recovery (metallurgy) - Definition

Definition

The physical processes that fall under the designations of recovery, recrystallisation and grain growth are often difficult to distinguish in a precise manner. Doherty et al. (1998) stated:

"The authors have agreed that ... recovery can be defined as all annealing processes occurring in deformed materials that occur without the migration of a high-angle grain boundary"

Thus the process can be differentiated from recrystallisation and grain growth as both feature extensive movement of high-angle grain boundaries.

If recovery occurs during deformation (a situation that is common in high-temperature processing) then it is referred to as 'dynamic' while recovery that occurs after processing is termed 'static'. The principal difference is that during dynamic recovery, stored energy continues to be introduced even as it is decreased by the recovery process - resulting in a form of dynamic equilibrium.

Read more about this topic:  Recovery (metallurgy)

Famous quotes containing the word definition:

    Although there is no universal agreement as to a definition of life, its biological manifestations are generally considered to be organization, metabolism, growth, irritability, adaptation, and reproduction.
    The Columbia Encyclopedia, Fifth Edition, the first sentence of the article on “life” (based on wording in the First Edition, 1935)

    No man, not even a doctor, ever gives any other definition of what a nurse should be than this—”devoted and obedient.” This definition would do just as well for a porter. It might even do for a horse. It would not do for a policeman.
    Florence Nightingale (1820–1910)

    Beauty, like all other qualities presented to human experience, is relative; and the definition of it becomes unmeaning and useless in proportion to its abstractness. To define beauty not in the most abstract, but in the most concrete terms possible, not to find a universal formula for it, but the formula which expresses most adequately this or that special manifestation of it, is the aim of the true student of aesthetics.
    Walter Pater (1839–1894)