Ray Raphael - Early Books

Early Books

Northwest California

Raphael’s first books focused primarily on the history and regional issues of Northern California, where he has lived since the late 1960s. His Everyday History of Somewhere, an earthy treatment based on interviews with old-timers that intermingled natural with human history, won the California Commonwealth Club award for best book on California for 1774. In Edges: Human Ecology of the Backcountry; Tree Talk: The People and Politics of Timber (and its sequel, More Tree Talk: The People, Politics, and Economics of Timber); and Cash Crop: An American Dream?, he explored issues of contemporary local concern (development, timber, marijuana) in a unique journalistic style, interweaving Studs Terkel-style interviews with narrative history and analysis. In 2007, with Freeman House (author of Totem Salmon), Raphael wrote an in-depth exploration of white-Indian conflicts of the mid-19th century in Northwest California, titled Two Peoples, One Place.

Raphael has also written a book on male initiation rites in contemporary American culture (The Men from the Boys), a study of the careers of teachers (The Teachers’ Voice), and with his son Neil, a juvenile mystery (Comic Cops). His play on John and Jessie Freemont played to audiences across Northern California.

Read more about this topic:  Ray Raphael

Famous quotes containing the words early and/or books:

    I believe that if we are to survive as a planet, we must teach this next generation to handle their own conflicts assertively and nonviolently. If in their early years our children learn to listen to all sides of the story, use their heads and then their mouths, and come up with a plan and share, then, when they become our leaders, and some of them will, they will have the tools to handle global problems and conflict.
    Barbara Coloroso (20th century)

    Postmodernism is, almost by definition, a transitional cusp of social, cultural, economic and ideological history when modernism’s high-minded principles and preoccupations have ceased to function, but before they have been replaced with a totally new system of values. It represents a moment of suspension before the batteries are recharged for the new millennium, an acknowledgment that preceding the future is a strange and hybrid interregnum that might be called the last gasp of the past.
    Gilbert Adair, British author, critic. Sunday Times: Books (London, April 21, 1991)