Ralf Dahrendorf - Relationship To Other Classical Theorists, and Perspectives

Relationship To Other Classical Theorists, and Perspectives

Unlike many of the other works published by social theorists in the 1950s, Dahrendorf’s work acknowledges the same class interests that worried Marx . Like Marx, Dahrendorf agreed that conflict is still a basic fact of social life. Dahrendorf believed that class conflict could have beneficial consequences for society, such as progressive change. Dahrendorf is recognized for being one of the best departures from the structural functionalist tradition of the 1950s. Dahrendorf criticized and wanted to challenge the “false, utopian representation of societal harmony, stability, and consensus by the structural functionalist school.” Nevertheless, Dahrendorf still shares key ideas with structural functionalists, such as a general faith in the efficacy of political and economic institutions. Like Weber, Dahrendorf criticizes Marx’s view that the working class will ultimately become a homogeneous group of unskilled machine operators. Dahrendorf points out that in postcapitalist society there are elaborate distinctions regarding income, prestige, skill level, and life chances. Dahrendorf’s pluralist view of class and power structures and belief that hierarchies of authority are inevitable in modern societies also reflect Weberian ideas.

Read more about this topic:  Ralf Dahrendorf

Famous quotes containing the words relationship to, relationship and/or classical:

    Women, because of their colonial relationship to men, have to fight for their own independence. This fight for our own independence will lead to the growth and development of the revolutionary movement in this country. Only the independent woman can be truly effective in the larger revolutionary struggle.
    Women’s Liberation Workshop, Students for a Democratic Society, Radical political/social activist organization. “Liberation of Women,” in New Left Notes (July 10, 1967)

    It would be a fallacy to deduce that the slow writer necessarily comes up with superior work. There seems to be scant relationship between prolificness and quality.
    Fannie Hurst (1889–1968)

    Et in Arcadia ego.
    [I too am in Arcadia.]
    Anonymous, Anonymous.

    Tomb inscription, appearing in classical paintings by Guercino and Poussin, among others. The words probably mean that even the most ideal earthly lives are mortal. Arcadia, a mountainous region in the central Peloponnese, Greece, was the rustic abode of Pan, depicted in literature and art as a land of innocence and ease, and was the title of Sir Philip Sidney’s pastoral romance (1590)