Raj Babbar - Career

Career

He trained in the Method school of acting at NSD, which is involved in Street Theatre. After his training in New Delhi he moved to Mumbai to try his luck. He started his film career opposite Reena Roy, one of the well known actresses of that time. He gained notoreity for the movie 'Insaaf Ka Taraazu', in which his was a horrific portrayal of a rapist, who cruelly assaults the heroine and later his sister, and in the end, gets shot for his deeds. Babbar was convincing in the role of a cruel, sadist, bitchy character, but turned down many offers that poured in after the success of the movie, in which he had to again reprise the role of a rapist.

He was fortunate to be part of the B. R. camp, which offered him many strong positive roles in their movies. He became a consistent feature of the B. R. Chopra banner; Nikaah with Deepak Parashar and Salma Agha, Aaj Ki Aawaz with Smita Patil, with whom he had an affair and subsequently married, despite being married with two children at the time.

He also achieved success in Punjabi cinema as he gave remarkable performances in Chann Pardesi (1980) and Long Da Lishkara (1986) - two arthouse movies with serious themes treated in a realistic manner - a far cry from the melodramatic & almost hysterical tenor of most Punjabi films of the time.

He appeared in the introductory episode of the famous Indian TV series Mahabharat, as king Bharat.

He also starred in the hit Punjabi films Aasra Pyar Da (1983), Marhi Da Diva (1989), Mahaul Theek Hai (1999), Shaheed Uddham Singh (2000), Yaaran Naal Baharan (2005), and Ek Jind Ek Jaan (2006). It has been said that Babbar often does Punjabi films for free, as an act of generosity to Punjabi cinema. He also acted as Bharat in the B R Chopra's hindi television seriel Mahabharat

Read more about this topic:  Raj Babbar

Famous quotes containing the word career:

    The 19-year-old Diana ... decided to make her career that of wife. Today that can be a very, very iffy line of work.... And what sometimes happens to the women who pursue it is the best argument imaginable for teaching girls that they should always be able to take care of themselves.
    Anna Quindlen (b. 1952)

    Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.
    Lewis H. Lapham (b. 1935)

    “Never hug and kiss your children! Mother love may make your children’s infancy unhappy and prevent them from pursuing a career or getting married!” That’s total hogwash, of course. But it shows on extreme example of what state-of-the-art “scientific” parenting was supposed to be in early twentieth-century America. After all, that was the heyday of efficiency experts, time-and-motion studies, and the like.
    Lawrence Kutner (20th century)