Style
Osuna was known for his footspeed, touch, and tactical awareness. Commentator Bud Collins dubs him "Mexico's greatest player...Ubiquitous on court, confusing to foes, ever seeking the net". His U.S. Open victory came against big server Frank Froehling, a dangerous unseeded opponent who had upset top-seeded Roy Emerson in the semifinals. Collins describes Osuna's victory as a triumph of tactical play:
...Osuna cleverly neutralized power with wonderfully conceived and executed tactics, especially lobbed service returns from 10 to 12 feet behind the baseline. Occasionally Osuna would stand in and take Froehling's serve on the rise, chipping the backhand, but more often he lobbed returns to disrupt Froehling's serve-volley rhythm and break down his suspect overhead. In fact, Osuna climbed the wall of the stadium to retrieve smashes and float back perfect lobs, frustrating Froehling with his nimble speed around the court, touch and tactical variations.
He is also remembered by his bold strategy against Bill Bowrey on the 4th match of the Mexico vs Australia Davis Cup tie in 1969. Coming back after the obligatory break after three sets (Osuna leading 2 sets to one), after holding serve on the first game, Osuna hits out, going for the lineas and keeping the ball away from Bowrey on each of all his service returns. While the knowledgeable public interprets this actions as trying to get loose, as the match progresses the public is baffled by Osuna continuing to do so after holding serve. Then, after holding serve and going up 4-3, Osuna changes his manner of play drastically by chipping in his return low to his opponents feet. At this precise moment Bowrey, in the entire 4th set and coming out of the rest period, has not hit one volley after his service motion due to the ¨hitting out¨strategy that Osuna implemented on this set. Bowrey is startled by the change of strategy on the first point. Osuna plays a superb second point to go up 0-30. Being love - 30 gets Bowrey extremely tight and gets broken. Osuna closes the match on his next service game.
Read more about this topic: Rafael Osuna
Famous quotes containing the word style:
“The flattering, if arbitrary, label, First Lady of the Theatre, takes its toll. The demands are great, not only in energy but eventually in dramatic focus. It is difficult, if not impossible, for a star to occupy an inch of space without bursting seams, cramping everyone else’s style and unbalancing a play. No matter how self-effacing a famous player may be, he makes an entrance as a casual neighbor and the audience interest shifts to the house next door.”
—Helen Hayes (1900–1993)
“The history of all Magazines shows plainly that those which have attained celebrity were indebted for it to articles similar in natureto Berenice—although, I grant you, far superior in style and execution. I say similar in nature. You ask me in what does this nature consist? In the ludicrous heightened into the grotesque: the fearful coloured into the horrible: the witty exaggerated into the burlesque: the singular wrought out into the strange and mystical.”
—Edgar Allan Poe (1809–1849)
“I shall christen this style the Mandarin, since it is beloved by literary pundits, by those who would make the written word as unlike as possible to the spoken one. It is the style of all those writers whose tendency is to make their language convey more than they mean or more than they feel, it is the style of most artists and all humbugs.”
—Cyril Connolly (1903–1974)