Works
Many of Whiteread's works are casts of ordinary domestic objects and, in numerous cases, the space the objects do not inhabit (often termed the "negative space") — instead producing a solid cast of where the space within a container would be; particular parts of rooms, the area underneath furniture, for example. She says the casts carry "the residue of years and years of use". Whiteread mainly focuses on the line and the form for her pieces.
Unlike many other Young British Artists who often seem to welcome controversy, Whiteread has often said how uncomfortable she feels about it. On 24 May 2004, a fire in a storage warehouse destroyed many works from the Saatchi collection, including, it is believed, some by Whiteread.
Read more about this topic: Rachel Whiteread
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“His character as one of the fathers of the English language would alone make his works important, even those which have little poetical merit. He was as simple as Wordsworth in preferring his homely but vigorous Saxon tongue, when it was neglected by the court, and had not yet attained to the dignity of a literature, and rendered a similar service to his country to that which Dante rendered to Italy.”
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“You are always looking for already-felt emotions, just as you like to get an old pair of trousers back from the cleaners, which seem new when you dont look too closely. Artists are cleaners, dont let yourself be taken in by them. True modern works of art are made not by artists but quite simply by men.”
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“His works are not to be studied, but read with a swift satisfaction. Their flavor and gust is like what poets tell of the froth of wine, which can only be tasted once and hastily.”
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