Interior
The interior of the palace received no less attention to detail and design than the exterior. French artisans were employed to decorate the rooms, many of which are small, their walls and ceilings painted to depict allegorical and historical scenes. Polished red bricks were frequently used for the floors, for a rustic appearance as well as coolness in hot weather. The many tall pavilions which link the various lower wings of the palace allow for a series of long low rooms broken by higher and lighter rooms. A predominant feature of the interiors are the azulejos: polychrome glazed tiles, often in a chinoiserie style with tones of blues and yellows contrasting with muted reds. Materials for use on the interior included stone imported from Genoa and woods from Brazil, Denmark and Sweden, while coloured marbles were imported from Italy. Many of the palace's rooms were severely damaged by fire in 1934, and much was lost.
Read more about this topic: Queluz National Palace
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“The work of art, just like any fragment of human life considered in its deepest meaning, seems to me devoid of value if it does not offer the hardness, the rigidity, the regularity, the luster on every interior and exterior facet, of the crystal.”
—André Breton (1896–1966)
“The exterior must be joined to the interior to obtain anything from God, that is to say, we must kneel, pray with the lips, and so on, in order that proud man, who would not submit himself to God, may be now subject to the creature.”
—Blaise Pascal (1623–1662)
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—Henry David Thoreau (1817–1862)