Mythology
Practically all Quechuas in the Andes have been nominally Roman Catholic since colonial times. Nevertheless, traditional religious forms persist in many regions, blended with Christian elements. Quechua ethnic groups also share traditional religions with other Andean peoples, particularly belief in Mother Earth (Pachamama), who grants fertility and to whom burnt offerings and libations are regularly made. Also important are the mountain spirits (apu) as well as lesser local deities (wak'a), who are still venerated especially in southern Peru.
The Quechuas came to terms with their repeated historical experience of genocide in the form of various myths. These include the figure of Nak'aq or Pishtaku (“butcher”), the white murderer who sucks out the fat from the bodies of the indigenous peoples he kills, and a song about a bloody river. In their myth of Wiraquchapampa the Q'ero Indians describe the victory of the Apus over the Spaniards. Of the myths still alive today, the Inkarrí myth common in southern Peru is especially interesting; it forms a cultural element linking the Quechua Indians throughout the region from Ayacucho to Cusco.
Read more about this topic: Quechua People
Famous quotes containing the word mythology:
“Love, love, love—all the wretched cant of it, masking egotism, lust, masochism, fantasy under a mythology of sentimental postures, a welter of self-induced miseries and joys, blinding and masking the essential personalities in the frozen gestures of courtship, in the kissing and the dating and the desire, the compliments and the quarrels which vivify its barrenness.”
—Germaine Greer (b. 1939)
“The history of the genesis or the old mythology repeats itself in the experience of every child. He too is a demon or god thrown into a particular chaos, where he strives ever to lead things from disorder into order.”
—Ralph Waldo Emerson (1803–1882)
“It is not the literal past that rules us, save, possibly, in a biological sense. It is images of the past.... Each new historical era mirrors itself in the picture and active mythology of its past or of a past borrowed from other cultures. It tests its sense of identity, of regress or new achievement against that past.”
—George Steiner (b. 1929)