Art
Quamrul Hassan chose to give the folk art tradition a breath of life by incorporating modern ideas in it. Hassan was a versatile artist working in practically all media-oil, gouache, watercolors, pastel, etching, woodcut, linocut, pen and pencil. He also worked with woodcuts, specially after the famine of 1974, works that expressed his rage and anger. Quamrul used snakes, jackals and owls to portray the evil in humans, both in his political work and his famine work.
Rural women and their plight is another theme Hassan has repeatedly worked on. His treatment of women emphasize the bond between them, most of his paintings of women are of a group of women, only rarely a solo painting can be found. However, he mixes romanticism with realism; the strong curved lines and the contrasted use of color contribute to a sensuous appeal that blunts the edges of harsh reality.
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Famous quotes containing the word art:
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
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