Art
Quamrul Hassan chose to give the folk art tradition a breath of life by incorporating modern ideas in it. Hassan was a versatile artist working in practically all media-oil, gouache, watercolors, pastel, etching, woodcut, linocut, pen and pencil. He also worked with woodcuts, specially after the famine of 1974, works that expressed his rage and anger. Quamrul used snakes, jackals and owls to portray the evil in humans, both in his political work and his famine work.
Rural women and their plight is another theme Hassan has repeatedly worked on. His treatment of women emphasize the bond between them, most of his paintings of women are of a group of women, only rarely a solo painting can be found. However, he mixes romanticism with realism; the strong curved lines and the contrasted use of color contribute to a sensuous appeal that blunts the edges of harsh reality.
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“The sin of my ingratitude even now
Was heavy on me. Thou art so far before
That swiftest wing of recompense is slow
To overtake thee. Would thou hadst less deserved,
That the proportion both of thanks and payment
Might have been mine! Only I have left to say,
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