Appearances in Modern Works
In Gregory Maguire's revisionist Oz novels Wicked: The Life and Times of the Wicked Witch of the West and Son of a Witch, Quadling Country is described as a largely undeveloped, swampy region, with the ruddy-faced Quadlings being portrayed as artistic and sexually free. It is also stated that in Oz they represent the lowest of the low in humans. It is here that Elphaba (the Wicked Witch of the West), Nessarose (the Wicked Witch of the East) and Shell are raised, though they are natives of Munchkinland. Despite its unprofitable swampy soil, Quadling Country is reported to be situated above vast deposits of rubies, and for this reason the Wizard sends his forces to clear the area for mining. This campaign results in the decimation of both the population and the ecosystem of the area.
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Famous quotes containing the words appearances, modern and/or works:
“It is doubtless wise, when a reform is introduced, to try to persuade the British public that it is not a reform at all; but appearances must be kept up to some extent at least.”
—George Bernard Shaw (1856–1950)
“Much of modern art is devoted to lowering the threshold of what is terrible. By getting us used to what, formerly, we could not bear to see or hear, because it was too shocking, painful, or embarrassing, art changes morals.”
—Susan Sontag (b. 1933)
“For thou hast made him a little lower than the angels, and hast
crowned him with glory and honor.
Thou madest him to have dominion over the works of thy hands;”
—Bible: Hebrew Psalm VIII (l. VIII, 5–6)