Qian Qianyi - Biography

Biography

Qian was born in Changshu county of Suzhou prefecture (now in Jiangsu province). His style name was Shou Zhi (受之) and his pseudonyms were Mu Zhai (牧斋) and later Meng Sou (蒙叟). He passed the imperial exam in 1610 at the age of 28.

Qian knew many independent women from entertainment and artistic circles who he treated as equals. One was a Ma Ruyu from Nanking, a consummate actress. She had had a good formal education. In addition she could paint and produce calligraphy in the square style. In her time she intimidated the male literati around her. Like many others of her kind, she abandoned her stage life and took up religion, building a Buddhist retreat. Another was Liu Rushi (1618–1684), who became his consort after he was impressed by her accomplishments. He treated her as his intellectual equal and companion on travels and social gatherings. Her poetry was preserved by Qian. Qian had important ties to the local writers and artists in the Jiading and Kunshan area outside modern Shanghai.

Preceding this generation of individuals was the prose master Gui Youguang (1507–1571) who opposed the classicists headed by Wang Shizhen (1526–1590). The antagonism to the classicist school would continue throughout the life and writings of Qian Qianyi himself.

In 1644, Qian taught an excellent student in Nanjing: Koxinga.

Read more about this topic:  Qian Qianyi

Famous quotes containing the word biography:

    Just how difficult it is to write biography can be reckoned by anybody who sits down and considers just how many people know the real truth about his or her love affairs.
    Rebecca West [Cicily Isabel Fairfield] (1892–1983)

    In how few words, for instance, the Greeks would have told the story of Abelard and Heloise, making but a sentence of our classical dictionary.... We moderns, on the other hand, collect only the raw materials of biography and history, “memoirs to serve for a history,” which is but materials to serve for a mythology.
    Henry David Thoreau (1817–1862)

    As we approached the log house,... the projecting ends of the logs lapping over each other irregularly several feet at the corners gave it a very rich and picturesque look, far removed from the meanness of weather-boards. It was a very spacious, low building, about eighty feet long, with many large apartments ... a style of architecture not described by Vitruvius, I suspect, though possibly hinted at in the biography of Orpheus.
    Henry David Thoreau (1817–1862)