Proclamation of The Irish Republic - The Printing and Distribution of The Text

The Printing and Distribution of The Text

The proclamation had been printed secretly prior to the Rising on a Summit Wharfedale Stop Cylinder Press. Because of its secret printing, problems arose which affected the layout and design. In particular, because of a shortage of lettering, the document was printed in two halves, leading to a proliferation of 'half copies', most of which were destroyed by British soldiers in the aftermath of the Rising. The typesetters were Willie O'Brien, Michael Molloy and Christopher Brady. They lacked a sufficient supply of same size and font letters, and as a result the latter half of the document used smaller es than the rest of the text, a distinctive feature of the document.

The language suggested that the original copy of the proclamation had actually been signed by the Rising's leaders. However no evidence has ever been found, nor do any contemporary records mention, the existence of an actually signed copy, though had such a copy existed, it could easily have been destroyed in the aftermath of the Rising by someone (in the British military, a member of the public or a Rising participant trying to destroy potentially incriminating evidence) who did not appreciate its historic importance.

There are about 30 original copies still remaining, one of which can be viewed in the National Print Museum.

Read more about this topic:  Proclamation Of The Irish Republic

Famous quotes containing the words printing, distribution and/or text:

    The printing press was at first mistaken for an engine of immortality by everybody except Shakespeare.
    Marshall McLuhan (1911–1980)

    The man who pretends that the distribution of income in this country reflects the distribution of ability or character is an ignoramus. The man who says that it could by any possible political device be made to do so is an unpractical visionary. But the man who says that it ought to do so is something worse than an ignoramous and more disastrous than a visionary: he is, in the profoundest Scriptural sense of the word, a fool.
    George Bernard Shaw (1856–1950)

    I would define the poetic effect as the capacity that a text displays for continuing to generate different readings, without ever being completely consumed.
    Umberto Eco (b. 1932)