Print Mint - Titles Published

Titles Published

  • All Girl Thrills
  • American Flyer Funnies (1971) — anthology title. Contributors included Larry Welz.
  • Arcade (7 issues, 1975–1976) — magazine-sized comics anthology created and edited by Art Spiegelman and Bill Griffith. Contributors included Spain Rodriguez, Justin Green, Kim Deitch, Robert Crumb, and Charles Bukowski.
  • Bijou Funnies — anthology with early work by Jay Lynch, Art Spiegelman, Gilbert Shelton, and Skip Williamson
  • The Captain (1972)
  • Captain Guts (1969)
  • Cheech Wizard (Vaughn Bode)
  • Coochy Cooty Men's Comics (1970)
  • Demented Pervert (1971)
  • Despair (1970)
  • Deviant Slice Funnies (1972)
  • Dying Dolphin
  • El Perfecto — Timothy Leary Benefit (1973)
  • Feds 'n' Heads (Gilbert Shelton, 1968)
  • Girl Fight Comics (1972)
  • Guano Comix
  • Heavy Tragi-Comics (1969)
  • Hit the Road (1971)
  • Human Drama (1978)
  • Insect Fear (3 issues)
  • Junkwaffel (Vaughn Bodé, 1971)
  • Kukawy Comics (1969)
  • The Legion of Charlies
  • Lemme Outa Here (1978)
  • Light Comitragies (1971)
  • Mean Bitch Thrills
  • Meef Comix (1972)
  • Moondog (George Metzger, 1969–1973)
  • Mr. Natural (Crumb)
  • Occult Laff Parade (1973) — anthology title; featured a story by Jay Kinney and Ned Sonntag entitled "Bud Tuttle and Commander Jesus"
  • Real Pulp — anthology; issue #1 featured first Zippy the Pinhead strip (by Bill Griffith)
  • San Francisco Comic Book (7 issues, 1970–1978) — anthology title
  • Spiffy Stories (1969)
  • Truckin' (George Metzger, 1972)
  • Tuff Shit Comics (1972)
  • Uneeda Comics
  • Vaughn Bode's The Man (1972)
  • Yellow Dog — anthology title. Contributors included Larry Welz.
  • Young Lust — anthology title co-edited by Bill Griffith and Jay Kinney. Contributors included Guy Colwell.
  • Zap Comix (issues #3–9, 1968–1978) — R. Crumb-edited anthology

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Famous quotes containing the words titles and/or published:

    “Lear. Dost thou call me fool, boy?
    Fool. All thy other titles thou hast given away; that thou wast born with.”
    —William Shakespeare (1564–1616)

    “Until the Women’s Movement, it was commonplace to be told by an editor that he’d like to publish more of my poems, but he’d already published one by a woman that month ... this attitude was the rule rather than the exception, until the mid-sixties. Highest compliment was to be told, “You write like a man.””
    —Maxine Kumin (b. 1925)