Comic Strip

A comic strip is a sequence of drawings arranged in interrelated panels to display brief humor or form a narrative, often serialized, with text in balloons and captions.

Traditionally, throughout the 20th century and into the 21st, these were published in newspapers, with horizontal strips printed in black-and-white in daily newspapers, while Sunday newspapers offered longer sequences in special color comics sections. There were more than 200 different comic strips and daily cartoon panels in American newspapers alone each day for most of the 20th century, for a total of at least 7,300,000 episodes.

Strips are written and drawn by a comics artist or cartoonist. As the name implies, comic strips can be humorous (for example, "gag-a-day" strips such as Blondie, Bringing Up Father, Marmaduke and Pearls Before Swine).

Starting in the late 1920s, comic strips expanded from their mirthful origins to feature adventure stories, as seen in Popeye, Captain Easy, Buck Rogers, Tarzan and The Adventures of Tintin. Soap-opera continuity strips such as Judge Parker and Mary Worth gained popularity in the 1940s. All are called, generically, comic strips, though cartoonist Will Eisner has suggested that "sequential art" would be a better name.

In the UK and the rest of Europe, comic strips are also serialized in comic book magazines, with a strip's story sometimes continuing over three pages or more. Comic strips have appeared in American magazines such as Liberty and Boys' Life and also on the front covers of magazines, such as the Flossy Frills series on The American Weekly Sunday newspaper supplement.

Read more about Comic Strip:  History, Newspapers, Cartoon Panels, Sunday Comics, Underground Comic Strips, Webcomic, Conventions and Genres, Social and Political Influence, Publicity and Recognition, Issues in U.S. Newspaper Comic Strips

Famous quotes containing the words comic strip, comic and/or strip:

    Commercial jazz, soap opera, pulp fiction, comic strips, the movies set the images, mannerisms, standards, and aims of the urban masses. In one way or another, everyone is equal before these cultural machines; like technology itself, the mass media are nearly universal in their incidence and appeal. They are a kind of common denominator, a kind of scheme for pre-scheduled, mass emotions.
    C. Wright Mills (1916–62)

    The deeply thoughtful and human consciousness of a Macbeth is not found in comedy. Comic action tends to be as Bergson described it, physical or purblind, instead of highly conscious. Similarly, the great comic actor specializes in the presentation of mental obtuseness.
    William G. McCollom (b. 1911)

    Here we’ll strip and cool our fire
    In cream below, in milk-baths higher;
    And when all wells are drawn dry,
    I’ll drink a tear out of thine eye.
    Richard Lovelace (1618–1658)