In Other Media
Jasmine is an official member of the Disney Princess line, a prominent franchise directed to young girls. The franchise covers a wide variety of merchandise, including but not limited to magazines, music albums, toys, video games, clothes and stationery. She is featured prominently in Disney Princess Enchanted Tales: Follow Your Dreams, where she is the main character of one of the film's segments.
Princess Jasmine has made many appearances outside of the Aladdin films, including appearances at the Walt Disney Parks and Resorts as a meetable character. She is a frequently-seen character, and often accompanies Aladdin, and occasionally Genie. Jasmine is a featured character in the Mickey's Philharmagic 3D show at Walt Disney World's Magic Kingdom and Hong Kong Disneyland. Jasmine, Aladdin, Carpet, Abu and Genie make cameo appearances in the Hong Kong Disneyland version of It's a Small World. Jasmine also appears in various television series and was featured as a main character in the animated series based on the original 1992 feature. The series picked up where The Return of Jafar left off, with Aladdin still living on the streets of Agrabah, engaged to Jasmine. The character also made cameo appearances in Disney's House of Mouse and Hercules: The Animated Series.
Jasmine appears in Kingdom Hearts as a supporting character in Agrabah, based on the Aladdin films. She is one of the Princesses of Heart kidnapped by Maleficent. She appears again in Kingdom Hearts II, and explains the strange behavior of Aladdin to Sora, Donald and Goofy. The cause of Aladdin's behavior is his loneliness after Genie went to see the other worlds. When Genie comes back all is well again. Linda Larkin reprises her role in the English version. Aside from the Kingdom Hearts series, Jasmine makes appearances in the video game adaptation of the 1992 film as well as Aladdin: Nasira's Revenge.
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Famous quotes containing the word media:
“One can describe a landscape in many different words and sentences, but one would not normally cut up a picture of a landscape and rearrange it in different patterns in order to describe it in different ways. Because a photograph is not composed of discrete units strung out in a linear row of meaningful pieces, we do not understand it by looking at one element after another in a set sequence. The photograph is understood in one act of seeing; it is perceived in a gestalt.”
—Joshua Meyrowitz, U.S. educator, media critic. “The Blurring of Public and Private Behaviors,” No Sense of Place: The Impact of Electronic Media on Social Behavior, Oxford University Press (1985)