Popular Accounts of Origins
According to a longstanding but now discredited legend, the Black Prince obtained the badge from the blind John I of Bohemia, against whom he fought at the Battle of Crécy in 1346. After the battle, the prince is said to have gone to the body of the dead king, and taken his helmet with its ostrich feather crest, afterwards incorporating the feathers into his arms, and adopting King John's motto, "Ich Diene", as his own. The story first appears in writing in 1376, the year of the Black Prince's death. There is, however, no sound historical basis for it, and no evidence for King John having used either the crest (he actually bore a crest of vultures' wings) or the motto.
Since a key factor in the English army's victory at Crécy was the use of Welsh archers, it is also sometimes said to have been Edward's pride in the men of Wales which led him to adopt a symbol alluding to their assistance. The German motto "Ich Dien" (= "I serve") is a near-homophone for the Welsh phrase "Eich Dyn" meaning "Your Man", which might have helped endear the young Black Prince to the Welsh soldiers in particular. Again, however, there is no historical evidence to support this theory.
Read more about this topic: Prince Of Wales's Feathers
Famous quotes containing the words popular, accounts and/or origins:
“The lowest form of popular culture—lack of information, misinformation, disinformation, and a contempt for the truth or the reality of most people’s lives—has overrun real journalism. Today, ordinary Americans are being stuffed with garbage.”
—Carl Bernstein (b. 1944)
“Every gazette brings accounts of the untutored freaks of the wind,—shipwrecks and hurricanes which the mariner and planter accept as special or general providences; but they touch our consciences, they remind us of our sins. Another deluge would disgrace mankind.”
—Henry David Thoreau (1817–1862)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)