Description of The Work
The prince is dressed in adequate clothing for this sport. A dark cloak with sleeves, wide jodhpurs, a grey embroidered blouse, a lace collar, knee-high boots, and a rifle of the appropriate size for a child.
In the painting there are two dogs, which are never missing from a hunting scene. One of these is very large, so much so that the painter decided to represent him sleeping so that he would not detract from the slight figure of the prince; it has large ears and its head is lying on the ground. The other is a little dog that is leaving the painting, a cinnamon colored greyhound with lively eyes, whose head reaches the height of the child’s hand.
The landscape is represented by the presence of an oak that accompanies the figure. One appreciates the forest of Pardo and in the background the blue mountains of Madrid, in the distance. The sky is gray, as if it were an autumn day, and it is full of clouds.
The critics agree in assuring that the head of the prince is an example of the skill of the painter.
Read more about this topic: Prince Balthasar Charles As A Hunter
Famous quotes containing the words description of the, description of, description and/or work:
“The Sage of Toronto ... spent several decades marveling at the numerous freedoms created by a “global village” instantly and effortlessly accessible to all. Villages, unlike towns, have always been ruled by conformism, isolation, petty surveillance, boredom and repetitive malicious gossip about the same families. Which is a precise enough description of the global spectacle’s present vulgarity.”
—Guy Debord (b. 1931)
“As they are not seen on their way down the streams, it is thought by fishermen that they never return, but waste away and die, clinging to rocks and stumps of trees for an indefinite period; a tragic feature in the scenery of the river bottoms worthy to be remembered with Shakespeare’s description of the sea-floor.”
—Henry David Thoreau (1817–1862)
“The next Augustan age will dawn on the other side of the Atlantic. There will, perhaps, be a Thucydides at Boston, a Xenophon at New York, and, in time, a Virgil at Mexico, and a Newton at Peru. At last, some curious traveller from Lima will visit England and give a description of the ruins of St Paul’s, like the editions of Balbec and Palmyra.”
—Horace Walpole (1717–1797)
“A work can become modern only if it is first postmodern. Postmodernism thus understood is not modernism at its end but in the nascent state, and this state is constant.”
—Jean François Lyotard (b. 1924)