The Primetime Emmy Award for Outstanding Lead Actor in a Comedy Series is an Emmy presented to the best performance by a lead actor in a television comedy series.
From the 18th Primetime Emmy Awards up until and including the 25th Primetime Emmy Awards, the category was called "Outstanding Continued Performance by an Actor in a Leading Role in a Comedy Series." Prior to then, there was no category that recognized lead acting performances specifically in the comedy genre, and an award was given for "Outstanding Continued Performance by an Actor in a Series (Lead)," combining roles in dramatic and comedic series.
Read more about Primetime Emmy Award For Outstanding Lead Actor In A Comedy Series: Superlatives, Winners and Nominees, Total Awards, Multiple Awards, Multiple Nominations
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“Nobody expects the Spanish Inquisition.”
—Monty Python’s Flying Circus. first broadcast Sept. 22, 1970. Michael Palin, in Monty Python’s Flying Circus (BBC TV comedy series)
“The award of a pure gold medal for poetry would flatter the recipient unduly: no poem ever attains such carat purity.”
—Robert Graves (1895–1985)
“The theater is a baffling business, and a shockingly wasteful one when you consider that people who have proven their worth, who have appeared in or been responsible for successful plays, who have given outstanding performances, can still, in the full tide of their energy, be forced, through lack of opportunity, to sit idle season after season, their enthusiasm, their morale, their very talent dwindling to slow gray death. Of finances we will not even speak; it is too sad a tale.”
—Ilka Chase (1905–1978)
“It is sometimes called the City of Magnificent Distances, but it might with greater propriety be termed the City of Magnificent Intentions.... Spacious avenues, that begin in nothing, and lead nowhere; streets, mile-long, that only want houses, roads, and inhabitants; public buildings that need but a public to be complete; and ornaments of great thoroughfares, which only lack great thoroughfares to ornament—are its leading features.”
—Charles Dickens (1812–1870)
“An actor must communicate his author’s given message—comedy, tragedy, serio- comedy; then comes his unique moment, as he is confronted by the looked-for, yet at times unexpected, reaction of the audience. This split second is his; he is in command of his medium; the effect vanishes into thin air; but that moment has a power all its own and, like power in any form, is stimulating and alluring.”
—Eleanor Robson Belmont (1878–1979)
“The difference between tragedy and comedy is the difference between experience and intuition. In the experience we strive against every condition of our animal life: against death, against the frustration of ambition, against the instability of human love. In the intuition we trust the arduous eccentricities we’re born to, and see the oddness of a creature who has never got acclimatized to being created.”
—Christopher Fry (b. 1907)
“Every day the fat woman dies a series of small deaths.”
—Shelley Bovey, U.S. author. Being Fat Is Not a Sin, ch. 1 (1989)