The Primetime Emmy Award for Outstanding Lead Actor in a Comedy Series is an Emmy presented to the best performance by a lead actor in a television comedy series.
From the 18th Primetime Emmy Awards up until and including the 25th Primetime Emmy Awards, the category was called "Outstanding Continued Performance by an Actor in a Leading Role in a Comedy Series." Prior to then, there was no category that recognized lead acting performances specifically in the comedy genre, and an award was given for "Outstanding Continued Performance by an Actor in a Series (Lead)," combining roles in dramatic and comedic series.
Read more about Primetime Emmy Award For Outstanding Lead Actor In A Comedy Series: Superlatives, Winners and Nominees, Total Awards, Multiple Awards, Multiple Nominations
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“Nobody expects the Spanish Inquisition.”
—Monty Python’s Flying Circus. first broadcast Sept. 22, 1970. Michael Palin, in Monty Python’s Flying Circus (BBC TV comedy series)
“The award of a pure gold medal for poetry would flatter the recipient unduly: no poem ever attains such carat purity.”
—Robert Graves (1895–1985)
“The theater is a baffling business, and a shockingly wasteful one when you consider that people who have proven their worth, who have appeared in or been responsible for successful plays, who have given outstanding performances, can still, in the full tide of their energy, be forced, through lack of opportunity, to sit idle season after season, their enthusiasm, their morale, their very talent dwindling to slow gray death. Of finances we will not even speak; it is too sad a tale.”
—Ilka Chase (1905–1978)
“Politics at all times lead to bloody wars, and not only politics, but also religions as well as social and economic systems of all times are spattered with blood. Invariably the big ones devoured the little ones, and the little ones the tiny ones.”
—Friedrich Dürrenmatt (1921–1990)
“An actor rides in a bus or railroad train; he sees a movement and applies it to a new role. A woman in agony of spirit might turn her head just so; a man in deep humiliation probably would wring his hands in such a way. From straws like these, drawn from completely different sources, the fabric of a character may be built. The whole garment in which the actor hides himself is made of small externals of observation fitted to his conception of a role.”
—Eleanor Robson Belmont (1878–1979)
“The difference between tragedy and comedy is the difference between experience and intuition. In the experience we strive against every condition of our animal life: against death, against the frustration of ambition, against the instability of human love. In the intuition we trust the arduous eccentricities we’re born to, and see the oddness of a creature who has never got acclimatized to being created.”
—Christopher Fry (b. 1907)
“The professional celebrity, male and female, is the crowning result of the star system of a society that makes a fetish of competition. In America, this system is carried to the point where a man who can knock a small white ball into a series of holes in the ground with more efficiency than anyone else thereby gains social access to the President of the United States.”
—C. Wright Mills (1916–1962)