Film
Prévert wrote a number of screenplays for the film director Marcel Carné. Among them were the scripts for Drôle de drame (Bizarre, Bizarre, 1937), Quai des brumes (Port of Shadows, 1938), Le Jour se lève (Daybreak, 1939), Les Visiteurs du soir (The Night Visitors, 1942) and Children of Paradise (Les Enfants du Paradis, 1945). The last of these often appears on critics' lists of the greatest films of all time.
His poems were the basis for a film by the director and documentarian Joris Ivens, The Seine Meets Paris (La Seine a rencontré Paris, 1957), about the River Seine. The poem was read as narration during the film by singer Serge Reggiani. In 2007, a filmed adaptation of Prévert's poem, "To Paint the Portrait of a Bird," was directed by Seamus McNally, featuring T.D. White and Antoine Ray- English translation by Lawrence Ferlinghetti.
Prévert had a long working relationship with Paul Grimault, also a member of Groupe Octobre. Together they wrote the screenplays of a number of animated movies, starting with the short "The Little Soldier" ("Le Petit Soldat", 1947). They worked together until his death in 1977, when he was finishing The King and the Mocking Bird" (Le Roi et l'Oiseau"), a second version of which was released in 1980. Prévert adapted several Hans Christian Andersen tales into animated or mixed live-action/animated movies, often in versions loosely connected to the original. Two of these were with Grimault, including The King and the Mocking Bird, while another was with his brother Pierre Prévert.
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Famous quotes containing the word film:
“Film as dream, film as music. No art passes our conscience in the way film does, and goes directly to our feelings, deep down into the dark rooms of our souls.”
—Ingmar Bergman (b. 1918)
“All film directors, whether famous or obscure, regard themselves as misunderstood or underrated. Because of that, they all lie. They’re obliged to overstate their own importance.”
—François Truffaut (1932–1984)
“I’ll be right here.”
—Melissa Mathison, U.S. screenwriter, and Steven Spielberg. ET, ET The Extra-Terrestrial, saying goodbye to Elliot as he touches Elliot’s forehead—ET’s final words in the film (1982)