Prayer Rope - History

History

The history of the prayer rope goes back to the origins of Christian monasticism itself. When monks began going into the deserts of Egypt, it was their custom to pray the entire 150 Psalms every day. However, because some of the monks were unable to read, they would either have to memorize the psalms or perform other prayers and prostrations in their stead. Thus the tradition of saying 150 (or more) Jesus Prayers every day began.

The western Rosary is sometimes said to have the same initial origin.

The invention of the prayer rope is attributed to Saint Pachomius in the fourth century as an aid for illiterate monks to accomplish a consistent number of prayers and prostrations in their cells. Previously, monks would count their prayers by casting pebbles into a bowl, but this was cumbersome, and could not be easily carried about when outside the cell. The use of the rope made it possible to pray the Jesus Prayer unceasingly, whether inside the cell or out, in accordance with Saint Paul's injunction to "Pray without ceasing" (I Thessalonians 5:17).

It is said that the method of tying the prayer rope had its origins from the Father of Orthodox Monasticism, Saint Anthony the Great. He started by tying a leather rope with a simple knot for every time he prayed Kyrie Eleison ("Lord have Mercy"), but the Devil would come and untie the knots to throw off his count. He then devised a way—inspired by a vision he had of the Theotokos—of tying the knots so that the knots themselves would constantly make the sign of the cross. This is why prayer ropes today are still tied using knots that each contain seven little crosses being tied over and over. The Devil could not untie it because the Devil is vanquished by the Sign of the Cross.

Read more about this topic:  Prayer Rope

Famous quotes containing the word history:

    The history of this country was made largely by people who wanted to be left alone. Those who could not thrive when left to themselves never felt at ease in America.
    Eric Hoffer (1902–1983)

    All objects, all phases of culture are alive. They have voices. They speak of their history and interrelatedness. And they are all talking at once!
    Camille Paglia (b. 1947)

    Modern Western thought will pass into history and be incorporated in it, will have its influence and its place, just as our body will pass into the composition of grass, of sheep, of cutlets, and of men. We do not like that kind of immortality, but what is to be done about it?
    Alexander Herzen (1812–1870)