Theme/Idea
Possible Worlds addresses many controversial topics regarding today’s scientific advancements and the moral issues that relate to it. A main overriding theme is human emotions and how they are constructed and what they mean. This theme is there to be questioned not to be answered. Another main theme is that of the human consciousness and how the brain is able to construct it. This play is asking whether we should be allowed to figure out exactly how the brain works, essentially pitting every emotion thought and movement to a function in the brain, essentially turning all the mystery in to the light and making the brain seem like a machine. This is a controversial idea because to many people who study religion this could debunk their religious teachings. Religions tend to heavily rely on the idea of a spirit or a soul and if the brain were demystified then there would most likely be no room for a soul and this could lead to a large rebellion against the church. By keeping the brain human and not a machine it leaves room for a “miracle” or other unexplained happening which leaves room for religion. With the advancements in science we will most likely some day know exactly how the brain works but right now we are far from the answer but get closer all the time. The biggest road block is going to be with human testing because it is seen as immoral but without it the advancements in science may not happen. Whether that is to be allowed is a question up to the moral of the human populous as a whole.
Read more about this topic: Possible Worlds (play)
Famous quotes containing the words theme and/or idea:
“... passion for survival is the great theme of womens poetry.”
—Adrienne Rich (b. 1929)
“Narcotics have been systematically scapegoated and demonized. The idea that anyone can use drugs and escape a horrible fate is an anathema to these idiots. I predict that in the near future, right wingers will use drug hysteria as a pretext to set up an international police apparatus.”
—Gus Van Sant, U.S. screenwriter and director, and Dan Yost. Father Tom Murphy (William S. Burroughs)