Description
There is an assertion and showiness in the expanse of white skin – from her high forehead down her graceful neck, shoulders, and arms. Although the black of her dress is bold, it is also deep, recessive, and mysterious. She is surrounded by a rich brown which is at once luminous and dark enough to provide contrast to the skin tones. Most disconcerting is the whiteness of the skin, an overt contrivance of "aristocratic pallor"; by contrast her red ear is a jarring reminder of the color of flesh unadorned.
Sargent chose the pose for Gautreau carefully: her body boldly faces forward while her head is turned in profile. A profile is both assertion and retreat; half of the face is hidden while, at the same time, the part that shows can seem more defined than full face.
The table provides support for Gautreau, and echoes her curves and stance. At the time, her pose was considered sexually suggestive. As originally exhibited, one strap of her gown had fallen down Gautreau's right shoulder, suggesting the possibility of further revelation; "One more struggle", wrote a critic in Le Figaro, "and the lady will be free". (Perhaps unknown to the critic, the bodice was constructed over a metal and whalebone foundation and could not have possibly fallen; the shoulder straps were ornamental).
The image's erotic suggestion is of a distinctly upper-class sort: unnaturally pale skin, cinched waist, severity of profile and an emphasis on aristocratic bone structure all imply a distant sexuality "under the professional control of the sitter", rather than offered for the viewer's delectation.
Classical sources, such as the figures in a fresco by Francesco de' Rossi (Il Salviati), have been suggested as inspiration for the pose. The painting features several subtle classical references: sirens of Greek mythology adorn the table's legs, and the crescent tiara worn by Gautreau symbolizes the goddess Diana. The latter was not contrived by the artist, but was part of Gautreau's self-display.
Read more about this topic: Portrait Of Madame X
Famous quotes containing the word description:
“To give an accurate description of what has never occurred is not merely the proper occupation of the historian, but the inalienable privilege of any man of parts and culture.”
—Oscar Wilde (1854–1900)
“Whose are the truly labored sentences? From the weak and flimsy periods of the politician and literary man, we are glad to turn even to the description of work, the simple record of the month’s labor in the farmer’s almanac, to restore our tone and spirits.”
—Henry David Thoreau (1817–1862)
“As they are not seen on their way down the streams, it is thought by fishermen that they never return, but waste away and die, clinging to rocks and stumps of trees for an indefinite period; a tragic feature in the scenery of the river bottoms worthy to be remembered with Shakespeare’s description of the sea-floor.”
—Henry David Thoreau (1817–1862)