Usage
Traditionally polka dots are used in the clothing of flamenco dancers and performers. Musician Randy Rhoads used a Flying V guitar with polka dots. Professional wrestler Dusty Rhodes was given a black outfit covered in yellow polka dots during his time in the WWF. This seemed strange at the time but went on to become a successful and memorable gimmick. Blues guitarist Buddy Guy regularly plays a signature Fender Stratocaster painted in black with cream polka dots. Some people associate polka dots with Venezuelan fashion designer Carolina Herrera, who used polka dots on most of her dresses during the late 80s and early 90s, as well as on the boxes of perfume Carolina Herrera, Herrera For Men, Aquaflore and Flore. In the Tour de France, the leader in the mountains competition wears a distinctive polka dot jersey (French: maillot à pois rouge). Although the King of the Mountains was first recognised in the 1933 Tour de France, the distinctive jersey was not introduced until 1975.
There were many other "polka" items, some of which include "polka-hats" and "polka-jackets." Most disappeared with the fad of the actual polka dance. Only the polka dot fabric pattern remained popular, and the name has been left intact over the years.
In 2006, polka dot skirts, dresses, scarves and tops became a fad in the United Kingdom. The polka dot skirts were usually pencil skirts. This started another fashion period, after which silk replaced the polka dot. The Pipettes were instrumental in bringing about this fashion trend.
The polka dot also appears in popular music. "Itsy Bitsy Teenie Weenie Yellow Polka Dot Bikini" is a novelty song telling the story of a shy girl in a very revealing bathing suit who stays immersed in the ocean water to hide from view. It was written by Paul Vance and Lee Pockriss and first released in June 1960 by Brian Hyland. Before that however, "Polka Dots and Moonbeams" was a popular song with music by Jimmy Van Heusen and lyrics by Johnny Burke, published in 1940. It was Frank Sinatra's first hit recorded with the Tommy Dorsey Orchestra. The song is one of the top 100 most-frequently recorded jazz standards with arrangements by Gil Evans and others and notable recordings by Lester Young, Sarah Vaughn and many others.
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