Contemporary Context of "Political Theatre": Theatrics As Protest Politics (as Opposed To Politics i
All of the above refers to politics in theatre or theatrics in poliltics, but a more contemporary meaning of the term "Political Theatre" refers to theatrical acts of protest performed by surprise in public to draw attention to political issues. The practitioners most famous for the art are Abbie Hoffman and other Yippies. Bare-breasted women at Occupy protests, the 2012 campaign of Presidential candidate Vermin Supreme, and (in some cases) flash mobs are other examples.
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Famous quotes containing the words politics, protest, contemporary, political, context and/or opposed:
“In politics if you want anything said, ask a man. If you want anything done, ask a woman.”
—Margaret Thatcher (b. 1925)
“I rarely speak about God. To God, yes. I protest against Him. I shout at Him. But to open a discourse about the qualities of God, about the problems that God imposes, theodicy, no. And yet He is there, in silence, in filigree.”
—Elie Wiesel (b. 1928)
“Men are so charmed with valor that they have pleased themselves with being called lions, leopards, eagles and dragons, from the animals contemporary with us in the geologic formations.”
—Ralph Waldo Emerson (1803–1882)
“In bourgeois society, the French and the industrial revolution transformed the authorization of political space. The political revolution put an end to the formalized hierarchy of the ancien regimé.... Concurrently, the industrial revolution subverted the social hierarchy upon which the old political space was based. It transformed the experience of society from one of vertical hierarchy to one of horizontal class stratification.”
—Donald M. Lowe, U.S. historian, educator. History of Bourgeois Perception, ch. 4, University of Chicago Press (1982)
“The hippie is the scion of surplus value. The dropout can only claim sanctity in a society which offers something to be dropped out of—career, ambition, conspicuous consumption. The effects of hippie sanctimony can only be felt in the context of others who plunder his lifestyle for what they find good or profitable, a process known as rip-off by the hippie, who will not see how savagely he has pillaged intricate and demanding civilizations for his own parodic lifestyle.”
—Germaine Greer (b. 1939)
“If our entertainment culture seems debased and unsatisfying, the hope is that our children will create something of greater worth. But it is as if we expect them to create out of nothing, like God, for the encouragement of creativity is in the popular mind, opposed to instruction. There is little sense that creativity must grow out of tradition, even when it is critical of that tradition, and children are scarcely being given the materials on which their creativity could work”
—C. John Sommerville (20th century)