Poems of Victor Hugo

The poems of Victor Hugo captured the spirit of the Romantic era. They were largely devoted to 19th century causes. Many touched on religious themes. Initially they were royalist but soon became Bonapartist, Republican, and liberal. Hugo's poems on nature revealed a continuing search for the great sublime.

Like many young writers of his generation, Hugo was profoundly influenced by François-René de Chateaubriand, the founder of Romanticism and France’s pre-eminent literary figure during the early 1800s. In his youth, Hugo resolved to be “Chateaubriand or nothing,” and his life would come to parallel that of his predecessor’s in many ways. Like Chateaubriand, Hugo would further the cause of Romanticism, become involved in politics as a champion of Republicanism, and be forced into exile due to his political stances. Between 1829 and 1840 he would publish five more volumes of poetry (Les Orientales, 1829; Les Feuilles d'automne, 1831; Les Chants du crépuscule, 1835; Les Voix intérieures, 1837; and Les Rayons et les ombres, 1840), cementing his reputation as one of the greatest elegiac and lyric poets of his time.

The passion and eloquence of Hugo's early work brought success and fame at an early age. His first collection of poetry (Nouvelles Odes et Poésies Diverses) was published in 1824, when Hugo was only twenty two years old, and earned him a royal pension from Louis XVIII. Though the poems were admired for their spontaneous fervor and fluency, it was the collection that followed two years later in 1826 (Odes et Ballades) which revealed Hugo to be a great poet, a natural master of lyric and creative song.

Famous quotes containing the words victor hugo, poems and/or hugo:

    Popularity? It’s glory’s small change.
    Victor Hugo (1802–1885)

    After all, poets shouldn’t be their own interpreters and shouldn’t carefully dissect their poems into everyday prose; that would mean the end of being poets. Poets send their creations into the world, it is up to the reader, the aesthetician, and the critic to determine what they wanted to say with their creations.
    Johann Wolfgang Von Goethe (1749–1832)

    The most excellent symbol of the people is the paving stone. One walks on it until it falls on one’s head.
    —Victor Hugo (1802–1885)