Plus-size Model - Criticism

Criticism

The plus size modelling industry has received general criticism on the premise that acceptance of plus-size models sets a poor health example regarding weight management. Consumer-based criticism regarding the lower sizes of plus-size models is also becoming commonplace and wide-spread. While the reputed 'average' dress size of an American women is size 14, the majority of models represented as plus size are between a US size 6-12; therefore the models do not reflect the average consumer size. Critics have also mentioned the widespread use of padding used to make smaller models appear larger and help smaller models fit the clothing. Also, plus size models engage in unhealthy habits such as eating salty foods to retain water weight, and fluctuating in size to please different clients Also, agents have suggested plastic surgery to some models. German fashion designer Karl Lagerfeld and other fashion designers have deferred on the use of plus-size models through a lack of interest in the consumers associated with the term plus size. Lagerfeld in particular has been vocal on the matter of his preferred clientele ""What I designed was fashion for slender and slim people" and received criticism for demanding that mass retailer H&M not produce their collaboration designs to size 16 In addition, the industry has been criticized for lacking in racial diversity. For example, critics have noted that there are few Asian plus size models, perhaps due to stereotypes of Asian women being small. Also, others have noted that there are few black plus size models with darker skin tones.

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Famous quotes containing the word criticism:

    The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.
    George Steiner (b. 1929)

    As far as criticism is concerned, we don’t resent that unless it is absolutely biased, as it is in most cases.
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    Unless criticism refuses to take itself quite so seriously or at least to permit its readers not to, it will inevitably continue to reflect the finicky canons of the genteel tradition and the depressing pieties of the Culture Religion of Modernism.
    Leslie Fiedler (b. 1917)